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Showing posts with label HongKong Pop. Show all posts
Showing posts with label HongKong Pop. Show all posts

This Linchong EP Needs Interpretation: Anyone?

Friday, January 28, 2011


The only EP (Blue Star NE 1014) that I possess of Jimmy Linchong because it was offered to me at a discount and because I remember watching him on television and admired his looks.
The National Museum screened his movie, The Singing Thief in June, 2009 where he acted with Lily Ho (sexy, screen siren of the sixties). But the above song selection is not from the movie.
If Chun See or anyone else can help to translate the cover title and 6 song titles into English, I'd be grateful.
Image: Andy Lim Collection.
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Lam Chun See Remembers Teresa And Jimmy

Wednesday, January 26, 2011

THANK YOU CHUN SEE: Read his comments under Jimmy Linchong's posting. Ayo Mama or Ai Qing Nali Lai is by Teresa Teng. She learnt this song together with Rasa Sayang when she stayed in Indonesia. Rasa Sayang and Ayo Mama originated from the Maluku Islands (Spice Islands) of Indonesia.

Doesn't matter if you can't read Chinese. Enjoy song on the Right Bar >>>>>

印度尼西亚民歌

小河弯弯 流水不断来
河里的水草
跟着漂过来
流水长在 长流那天外
问一声河里水草哪里来

哎哟 妈妈
莫非也像我的恋爱
哎哟 妈妈
可是来的这样奇怪
哎哟 妈妈
怎么你不讲个明白
谁知道我的爱情哪里来

小河弯弯 春风吹过来
河边的花香
跟着飘过来
遍地花开 芬芳到心怀
问一声春天从哪里来

哎哟 妈妈
你可不能不理不睬
哎哟 妈妈
我的寂寞情意难挨
哎哟 妈妈
给我怎么样的安排
你可叫我怎样的安排
谁知道我的爱情哪里来

Ayo Mama: Indonesian lyrics (literal translation):

Ayam hitam telurnya putih (Black chicken too has white eggs)
Mencari makan di pinggir kali (Searching for food by the lakeside)
Sinyo hitam giginya putih (Dark-skinned bride has white teeth)
Kalau ketawa manis sekali. (When she smiles, she's so sweet)

Ayo mama, jangan mama marah beta (Oh mum, don't you scold me)
Dia cuma cuma pegang beta (He's just holding her playfully)
Ayo mama, jangan mama marah beta (Oh mum, don't you scold me)
Lah orang muda punya biasa. (It's natural with the young)
Anyone willing to help with the Mandarin translation? Doesn't matter anyway. It's the beat that matters. Cha-cha-cha!!!
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Jimmy Linchong: Had Looks Only Elvis Could Match

Sunday, January 23, 2011

He was handsome and had looks that only Elvis Presley could match. In fact some fans said he looked like The King. It was a matter of opinion but he could hold an audience in the 1960s, both on stage and on the screen.

Originally known as Lin Hsi-hsien, Jimmy Lin Chong was born in 1934 to a Taiwanese politician with a Japanese wife in Tainan, Taiwan. He graduated from the Tamkang Junior College of English (now Tamkang University).

His started his career in 1955 as a film actor and when he completed his military stint in 1957 he was invited to play in Taiwanese and Mandarin films. In 1962, Lin studied in Japan and when Hong Kong had become a dreamland for those interested in films.

A leading Japanese film company signed a contract with Lin, enabling him to play in Hong Kong-Japan co-productions like: A Star Of Hong Kong and Tokyo, Hong Kong, Hawaii. Lin’s popularity was extended to Hong Kong in 1968 when he became a hit with his avant-garde costumes and performance. He was just as popular in Singapore with a generous fan base. I remember watching him on TV and enjoying the moment.

It was obvious that the Shaw Studios recognised his talent and popularity. He became an actor with Shaw Brothers and played a leading role in a musical called, The Singing Thief. It was directed and written by the well accepted Chang Cheh. The musical drew crowds and Lin contined with two more films, The Singing Escort and Tropicana Interlude.
Do you know anything more about Jimmy Linchong?
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Mystics - HK Pop Portuguese, Macao Descent

Tuesday, August 17, 2010

According to Hong Kong pop song enthusiasts, there were two different music scenes in the 60s. On one hand there were garage bands like The Mystics (image), Joe Junior & The Side Effects, Menace, Teddy Robin and the Playboys, Lotus, etc. Like our local Singapore bands The Trailers or The Quests, these groups generally sung in English and covered the latest top hits from the UK or the US.
On the other hand there were recording artistes from the Shaw Brothers film studio like Nancy Sit and Chan Po Chu who recorded Chinese versions of international hits. Remember Rita Chao and Sakura Teng? There were also a handful of studio musicians churning out instrumental versions of both Western songs and westernized Chinese songs as well; like The White Cloud Orchestra from Singapore 60s?
One reasonably popular band that had made it to the top was The Mystics. They followed the same formula like covering current 60s English language songs from the west. The group formed in 1965 during the golden years of Hong Kong’s music extravaganza and team members comprised Hong Kong citizens of Portuguese descent.
Again like Singapore's guitar groups, The Mystics were popular at teenage parties, tea dances, and recorded chart toppers with Diamond Record Company, a subsidiary of Polydor Records. They came in the usual LPs, EPs and singles format.
Some of the songs recorded were: I Can’t Help Myself, Sweet Soul Music, When A Man Loves A Woman, In The Midnight Hour, Going Out Of My Head, Don't Leave Me (Baby, Baby), What Makes, You Run, Ain't Proud To Beg, I Want To Talk With You, Somebody New, Song Of The Wind, One day and Send Her Back.
While some of these pops were covers, others were composed by band members Michael Remedios (vocals) and Tony Tavares (drums). The rest of the team were: Francis De Costa (guitar), Vasco De Costa (bass guitar), and Clifford Yim (keyboard). Don Choi joined in 1970.
Other line-ups included Ricky Gosano, Ricky Fung, Ricky Souza and Derek Turner. The website also claims that singer Michael Remedios still sings today. Not only has he a great voice, he dances well too. For his appearances he wears thick make-up.
One website wrote that the band was called, "The Bank Flat Boys" (translated from Cantonese) because members usually lived in the area populated by residents who worked in the commercial banks in Kowloon. This particular group was supposed to be Hong Kong's best soul band.
The Mystics' tea dances, HK variety shows, concerts and TV shows had a varied repertoire that also included selection peppered with soul spice like, Arthur Conley's Sweet Soul Music, Wilson Pickett's In The Midnight Hour and Chris Kenner's Land Of A Thousand Dances (Na, na, na, na, na...). The songs were hot choices at that time!
Like other groups in that era, they were just a band in a crowd until the emergence of drummer and guitar player Tony Tavares. He brought the group to a new height when they started recording originals. Popular compositions included, Send Her Back, Song Of The Wind and Somebody New. The group disbanded in 1971.
Information has been extracted and edited from:
http://www.helloaudience.com/cgi-bin/mailview.pl?id=108450_ucxH34
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Asian 60s Music Hits Appeal To Western Ears

Friday, June 4, 2010

CDs like the above (image) are re-issues of 60s music recorded previously by our local Singaporean, Malaysian singers and bands who have put in much time and effort to press them on vinyls. Now these compilation CDs are for sale on the internet. Without copyright and free legal advice to help our musicians nothing can really be done to channel the earnings to them. But production of these yesteryear hit collections has been in practise for many years. So who cares anyway.
The writer below explained that the selection was his "favourite find" and he wasn't concerned which of them were hits but rather, which ones appealed to "this pair of western ears." Even the susu chap junjong jingle (Milkmaid Milk advertisment) attracted the writer's western ears. It is given away as a 'bonus' track. Interesting indeed. Perhaps the compilation is done and sold just to cover cost?
(Original article above: Andy Lim.)
Read the story below about this enterprising person who came to Singapore 11 years ago to buy up the vinyls:
“Funny thing happened to me back in 2001, during my first trip to Singapore. I was in a clothing store in Causeway Point, and an old ‘60s tune was blasting out of the stereo speakers. It sounded like your typical ‘60s pop hit, but the lyrics were sung in Malay! I was entranced, and wouldn’t be satisfied to just hear it just once. I spent the rest of my trip combing the local antique stores and flea markets, grabbing all the vinyl I could find.
My first purchase was The Mysterians’ Forget the Time b/w My Girl Les, found at an antique store on Orchard Road. The cover, featuring the band wearing black masks and standing in green background, is such a classic that I spent a few weeks admiring it before finally purchasing a turntable so I could hear it. But when I finally did, lo and behold, an obsession was born.
Nine years and five overseas trips later, my collection now boasts more than 600 rare titles from the region, which also includes Malaysia and Indonesia. In this first volume, I present a handful of my favorite finds. Some of these bands experienced regional success at best, while others disappeared after one or two recordings. Very few left behind any written history.
I didn’t concern myself with which songs were hits, but rather which ones happened to appeal to this pair of western ears. I have included a variety of tunes, from rockers to ballads, covers and originals, all sung in a variety of native languages. A few instrumentals have been thrown in for good measure. Now on to the music, Let's A Go, Go, on Silver Tortoise. CD."
Tracklist:
#1 Flamingo By The Bees, #2 One To Nine Walkin By Patrina, #3 The Second Spring By Hai Fei, #4 Just Because By The Dee-Tees, #5 You've Got To Move On By Leroy Lindsay with The Mysterians.
#6 Mean Woman Blues By Rocky Teoh, #7 The Girl From Alishan By The Blue Beats, #8 Let's A' Go-Go By Charlie and His Go-Go Boys, #9 Oh! Salina By M.Ishak Dengan Five-55, #10 Things We Said Today By S.K. Pauline.
#11 Bang Bang By Betty Chung, #12 Wooly Bully By Charlie and His Go-Go Boys, #13 Then I Kiss Her By Lotus Liew, #14 Mun Li By Orkes Tropicano, #15 Let's Dance By Lotus Liew.
#16 These Boots Are Made For Walkin By Charlie and His Go-Go Boys, #17 Swim Swim Swim (She and I) By The Spacemen, #18 Merindu Kasih By The Click IV Dan Jaffar-O, #19 My Girl Les By The Mysterians, #20 Dream Wonder By The Tones, #21 Beli-lah Susu Chap Junjong (Bonus track) By Malay-Tamil-Malay.
Just wondering. Collecting the vinyls can be an eye-opener because of the art work on the sleeve covers but listening to some of the songs? That is a problem. Not to sure about Betty Chung's, Bang, Bang (side-bar).
Article above flagged by: Mark Wong.
1) Another similar article posted on Sunday, March 14, 2010:
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