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Showing posts with label Naomi And The Boys. Show all posts
Showing posts with label Naomi And The Boys. Show all posts

Danny Koh: Fishermen, Candidates (Part III)

Friday, July 9, 2010

In my search for Singapore's 60s instrumental group members, I remember the Cathay restaurant where sea-food was as popular as the bands that performed there. Danny Koh provided the answer that I posted a year and a half ago on the blog when I asked him about this restaurant.*
Pianist, tutor and musical director Danny formed two very popular bands, The Fishermen and The Candidates that played to a packed restaurant called The Kelong in the 1970s. (Notes from a letter to Andy on Sunday, 6th June, 2010):
He was with The Trailers for 3 years. The band had a number of **pianists - or keyboardists - before he joined them. The first in the group was Michael, followed by Patrick Foo, then Danny himself and Benson Goh. There were others too but it had been many years since and there was difficulty remembering specific names.
When Danny left The Trailers, he formed The Fishermen and they performed regularly at the Kelong Niteclub which was the old Cathay Restaurant. The original musicians in the group included Benny Chan (guitar) and Amir Samsudin (drummer), both from the Checkmates and Robert Suriya (guitar), who is now residing in Guam. Robert, of course, was from Naomi and The Boys.
After the group disbanded, Danny formed another band called, The Candidates. The musicians were Ramon Rahmat from the BlackJacks, Sanip Ismail, who had since passed away, Leon Lim, who now resides in Vietnam and Leo Fernando, a saxaphonist of stature and renown. This professional band of men performed at the Kelong, Singapore and at the Fortuna Hotel in Kuala Lumpur, Malaysia for some time.
Danny added that when they were at the peak of their popularity, they signed under the RCA label and recorded some songs, but the record was never released for reasons known to the group themselves.
**Danny is a 'pianist' rather than a 'keyboardist', the distinction being clear that he has a Licentiate from the Royal School of Music (LRSM).
Original article: Andy Lim.
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Naomi And Robert Suriya Originals - Long Play

Thursday, May 6, 2010


When Naomi and The Boys recorded for Decca in 1969, they had one Long Play called, The Best of Naomi (SKL 3002). It was done at Decca Orient (Pte) Ltd at MacDonald House in Orchard Road, Singapore.
The back sleeve extols the group with a short write-up (edited). "Talent is a very desirable quality and no artiste can hope to get anywhere without possessing a bare minimum. But to get right up to the top, you need individuality - a distinctive sound and style which enables the listener to identify you at once.
On this Decca LP album Naomi and The Boys present 14 great examples of talent, individuality and unique artistry. Each one is an outstanding performance. Naomi sings with her usual sincerity backed by her inimitable Boys. Splendid entertainment."
The line up includes Robert Suriya on lead guitar/glockenspiel, Peter Thomas on bass/rhythm, Moses Tay on organ/piano, with Alphonso Soosay on drums/percussion. According to Henry Suriya, brother to Naomi and Robert, only Tay reads music, so he documents the arrangements for the group.
Of the 14 songs, 8 are originals by Suriya, Till The End Of Our Time, I Love You, I Know, I Won't Miss You, The Time Has Come, Get You Outa My Mind, If You Change Your Mind and It's All Over.
The rest of the songs are interpretations of Paul Simon's Sound Of Silence, The Everly's So Sad, Frazier's There Goes My Everything, the well-known Schertzinger/Mercer song, I Remember You, Otis/Benton/Hendricks, Looking Back and the song that made this group famous, Happy, Happy Birthday Baby by Sylvia/Lopez.
Good friend Henry Suriya let me have his only copy of this album. Old St. Andrew's School boys...
His take on the album soon!

Image/Original article: Andy Lim Collection.

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Girls In The Garage? How Others View Our 60s Asian Lady Singers. Stereo-Typed Again?

Saturday, March 13, 2010

Way back in 1999 on 13th February, an album of Singapore 60s English and Chinese pop songs were released. Many enthusiasts would have realised this but just in case... On this 13 track CD, we have an interesting selection that includes:
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1 Penny Lim & The Silverstones - Kung See, Kung See, Let's Be Happy 2 Rita Chao & The Quests - Hanky Panky 3 Lara & The Trailers - Sugar Town 4 Nancy Sit - Love Potion #9. 5 Rita Chao - Yummy, Yummy, Yummy *6 [unknown] - If You Ever Go 7 Naomi & The Boys - As Tears Go By 8 Naomi & The Boys - I'd Like to Know 9 Rita Chao & The Quests - How to Catch a Girl 10 Nancy Sit - Hanky Panky 11 Sakura & The Quests - My Boy Lollipop 12 Nancy Sit - Come Back When You Grow Up 13 Nancy Sit - Fever.
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*The Silver Strings & Shirley Nair. (check Comment by Steve Farram).
WHAT OTHERS SAY:
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Below is an article posted by Mack Hagood on February 22, 2004 09:24 pm by The Far Eastern Audio Review:
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"As Sofia Coppola's Lost in Translation heads for the video stores and awards shows, some are having second thoughts about the film. Kiku Day's scathing indictment in the U.K.'s Guardian and other late reviews have held up the film's jokes about Japanese food, stature and English pronounciation as examples of anti-Asian racism.
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Coppola, who lived in Japan for a time, is probably taken aback that a film she intended as "a love letter to Tokyo" has been interpreted as racist. The key to the controversy is in the film's title: Lost in Translation is about the alienation, wonder and--yes--humor to be found at the limits of people's understanding of one another.
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The problem is, like her two protagonists, the director doesn't push those limits hard enough and little beside the wacky and exotic make it through the filter of her Western gaze. This isn't racism (it lacks the intent and cruelty that word implies), but it is a missed opportunity to see the Japanese on their own terms.
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Which brings me to The Girls in the Garage Vol. 9: Oriental Special. Again, the (somewhat unfortunate) title tells us a lot: This installment of the 60's girl rock series brings us wacky finds from the flea markets of Singapore.
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Compiler "Bradley Ghoulstein" is knocked out by the hilarity of what gets lost in the Chinese translation of Western pop, so the filter we get here is in the playlist, which is comprised almost entirely of familiar American songs. The goal here is a cool, funny addition to garage collections and on that level it works well.
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Rita Chao and the Quests' version of "Hanky Panky" (one of two versions on the CD) is brilliant. Greasy-dirty guitar tone, funky drumming and Rita's charming vocal delivery--complete with "R" and "L" mixing and implied lesbianism when she doesn't change the gender of "her baby" in the lyrics--all conspire to create the perfect party single.
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Nancy Sinatra's "Sugar Town" sounds great in Chinese by Lara and the Trailers; "Love Potion #9" fairs a little poorer in the shaky hands of Nancy Sit and her band. Yes, that's right... Nancy Sit, a Nancy Sinatra knock-off responsible, by the way, for the oh-my-god-it's-so-bad-turn-it-off-now second version of "Hanky Panky" on the disc. Cross-cultural weirdness abounds on this record and it's damn fun.
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Racist? I can't see how. Reductionist? That's a different story. Mr. Ghoulstein's liner notes seem to be made up of whatever he could glean from the album covers. Intrigued by their beautiful version of "As Tears Go By," I checked the notes for information on Naomi and the Boys and learned they were "Malaysian (Indonesian?)" with vocals "sung in almost perfect English... damn."
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A quarter of the tunes here belong to Nancy Sit, not because she's good, but because she's funny. But by far the best song is an original, Penny Lim and the Silverstone's "Kung See, Kung See, Let's Be Happy." The liner notes call it an "undescribably baffling masterpiece of New Year's (Chinese of course) bubblegum." I can't improve on that description. It's Chinese 60's pop on its own terms - incredibly weird and enjoyable. It opens Oriental Special and the rest of the CD pales in comparison.
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Lost in Translation and The Girls in the Garage Vol. 9 both view Asians through the filter of Western culture and divide them into two groups: hipsters who get it "right" and (much preferred!) amusing folks who don't. In either case, the Westerner is really looking at himself--whether it's the flattery of good imitation or a funhouse mirror.
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I don't condemn us for being this way--all cultures are self-obsessed, after all. But when we stick only to the safe confines of the Tokyo five-star hotel and the goofy Singaporean cover versions of our own songs, we miss out on true Asian originals and the chance to push beyond the limits that separate all of us different styles of human."
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Image/article by: Mack Hagood who is currently completing his MA thesis in Folklore and Ethnomusicology at Indiana University. He is creator and editor of the Far Eastern Audio Review. From: Folklore of East Asia Folklore Forum 38.1 (2008).
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Listen to the songs on You Tube. Do you have comments to make or do you have a copy of the CD and Bradley Ghoulstein's liner notes? Would be an interesting read.
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'Unforgettable': Cheryl's Tribute To Her Dad Moses Tay, Bassist For 'Naomi And The Boys'

Sunday, January 31, 2010

(Image: The late Moses Tay, with his family at daughter Cheryl's Graduation Ceremony at Temasek Polytechnic in May, 2009.)

GOODBYE, MR. BASS MAN

For my father, Moses Tay (September 8, 1940 — January 23, 2010)
It has been a little over a week since Dad left us & I've finally managed to sit down & begin writing this post.
Like death, this blog entry has always been inevitable. It was just a matter of when & how, though I know I could never truly have been prepared for it. I suppose that is why I'd been procrastinating — I couldn't & didn't want to believe he was gone for good but, during mass last Saturday evening, it hit me.
Just two Saturdays ago, around two in the afternoon, I returned home from the gym, only to find Mum pacing about worriedly, telling me that something was wrong with Dad. Thinking it couldn't be anything serious, I assumed it was just fatigue from him having worked on his motorcycle the day before & that Mum was simply being her usual excitable self.
Upon entering his bedroom, however, I knew I'd been mistaken. He was lying in bed, weak, restless & semi-coherent. I called for an ambulance but by the time the paramedics arrived, Dad was already unconscious, with only a very faint pulse. Several unsuccessful attempts were made to revive him but after he flatlined a few times, I knew he had left us. And to think, just hours before, as I was getting ready to leave for the gym, Mum & I were in the kitchen, discussing how we would celebrate Dad's 70th birthday this year.
I then experienced firsthand how cruel a master of irony death is. It leaves you no time or opportunity to grieve when a loved one dies, instead requiring you to stay calm & controlled throughout, so you can deal with the many strangers who have to be contacted in the aftermath of the deceased's passing — the police, the doctor, the undertaker, the dailies & your friends & family.
Still, in the days that followed, there were moments, both private & public, for all who had known him to reflect on his life, his relationships with them & how his death had affected them. Personally, I was on autopilot (as I'm sure my mother & brother were), seeing to the funeral arrangements & meeting the countless people who had turned up to pay their respects. But whenever I had a moment to myself, an almost overwhelming mixture of emotions would come upon me: nostalgia, pain, loneliness & disbelief.
As the writer in the family, the obituary & eulogy became my responsibility & I had barely enough time to sit down & write the latter. It wasn't until a few hours before the memorial service on the second night of the funeral wake that I actually started on the eulogy. As I whiled away the first half hour or so wondering how I could write a relatively short yet fitting tribute to Dad, it occurred to me: Dad had played different roles to different people & maybe, just maybe, I could capture that essence on one A4 page of foolscap. So I tried:
"Even as we say 'goodbye' to Dad, we hold on to the many fond memories we have of him. As a father, he was gentle, affectionate & generous. He was happy as long as everyone at home was happy & would always go to great lengths to ensure that we had what we needed.
As a husband, he was caring, loving & responsible, always making sure our mum was well taken care of in every possible way. He never had a harsh word on his lips & was often on hand with a massage or a meal to ease any physical discomfort on our mum's part.
As a friend & musician, he was lively, entertaining & multi-talented. His limitless supply of jokes, countless stories, singing & dancing made him the life of every party, while his excellent musicianship made him the man to call for many gigs.
Dad was many things to many people but the one thing we all know about him is that he was a genuinely kindhearted & good-natured man & we will all miss him dearly & remember him fondly.
We are comforted that he is now watching over us from a better place & he is with God.
Dad, we love you & miss you. Thank you for being a wonderful father, husband & friend.
"I had to get my brother to read it, for I was quite sure I wouldn't be able to make it through the entire eulogy without breaking down.
Even now, I doubt I managed to truly summarize in that eulogy what Dad was all about. Then again, words can only do so much, even in the hands of the most skilled wordsmith.
I know what I miss about Dad. I miss his jokes, no matter how cringeworthy many of them were. I miss the delightful sounds of his piano- & bass-playing, his singing & dancing, his good heart, his constant patience.
I miss making breakfast for him, watching television with him, taking rides on his motorcycle & singing with him. One of my earliest memories with Dad took place in his car, listening & singing along to Nat King Cole's & Natalie Cole's father-daughter version of Unforgettable, a memory I undoubtedly miss.
Those close to me know that what I will miss most, however, is not the memories I have had with him but the memories I'm unable to have with him. I will miss him on his 70th birthday, when I should be throwing him the celebration of a lifetime. I will miss him at my eventual wedding, where he should be walking me down the aisle & giving me away. I will miss him when I have my first child, when he should be carrying his grandchild & beaming with grandfatherly pride.
There are many other events during which I will miss him but, as always, I will take comfort in the knowledge that he is now in a better place, free from all worldly cares & concerns.
Dad's funeral was attended by many & there have been tributes to him in the media, thanks in no small part to his longtime friends who wanted to remember him as best they could.
To everyone who showed up or helped out in one way or another, thank you.
And to Dad, thank you for being the best father I could ever have asked for. I will love you & miss you for as long as I live.
Love,
Your Daughter,
Cheryl
*Moses Tay was the bass guitarist with Naomi & The Boys, Sing60sMusic.
Image/Original article: Cheryl Tay Collection.
(Note: Please request writer's permission to reproduce this letter.)
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Moses Tay Bassist Naomi & The Boys Passed On

Saturday, January 23, 2010

One of our 60s band boys Moses Tay (image with The Austrian Beatles) has passed on. Mr. Tay was the electric guitar bassist with Naomi And The Boys, one of the most popular instrumental groups in Singapore. The last time blogger met him was when Mr. Tay attended the July 23rd, 24th Concert at the Orchid Country Club in 2009.
This blog and all its readers send Mr. Tay's family their condolence.
(Click below: Henry/Naomi & The Boys to read about this band.)
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