Years With The Stylers.
"If I remember correctly, that must have been after my disbanding of Ronnie & The Burns around end of 1966. Paul Chua contacted me and discussed about regrouping of a band, Paul introduced Paul Kwok (from Kwok Brothers Singapore) together we further discussed about how to bring the band to popularity. I was then at the height of my music career as a pop singer, though hesitant about forming a band, and finally acceded to Paul’s enthusiasm to regroup again.
Initially, we were toying with the idea of restarting Ronnie & The Burns again but then my preference was to start a brand new name and so Ronnie & The Stylers was started from end 1966 to 1969 because that’s when I left them in search of my career. Spending three and a half years under Ronnie & The Stylers and decided to quit the band scene was quite painful then but there were only two choices; either I continue to be in the band and lead a band boy’s life or I quit and lead a different lifestyle as years wear on. In search for a career was my priority, although it was a painful decision to quit the band as the camaraderie was strong but I decided to leave without looking back.
Before leaving the Stylers, I was instrumental in making sure to get the band into recording so that they have a future too, then I met Tony Wong of Polar Bear Records and got the band into serious recording business (Chinese songs) with them. After the Stylers stabilized with Polar Bear Records, backing many Chinese singers, their income was good from the recordings. I left and went for an interview with a hi-fi store, got the job, and from thereon I work and continued to build a career path since.
In 1967, Ronnie & The Stylers was popular at the Celestial Room Tea Dance. This hotspot was owned by then (Boss of The Hock Lee Bus) Mr. Quek Sin Bock, Mr. Quek was my good friend, he asked if I could stage the band at Celestial Room Tea Dance, I agreed. So every Sunday Celestial Room was packed until many of our supporters them had to queue for entrance. We were the anchor band at Celestial Room from 1967 to early 1969 (for more than two years).
During 1967 to 1968 Ronnie & The Stylers had performed at the then National Theatre (River Valley) on many occasions. We also did gigs for the Ministry of Culture (then under Datok Othman Wok) and also at the Capitol Theatre Sunday Musical Express hosted by Tan Swee Leong. Ronnie & The Stylers had recorded a cover version EP with the Squirrel Records owned by a recording veteran Mr. Ngo Cheong. That was the first English recording we did and after that I left the band when they went into Chinese songs."
(The above article is Ronnie See's written communication with Lim L.A. in March, 2009. All rights reserved.)
"If I remember correctly, that must have been after my disbanding of Ronnie & The Burns around end of 1966. Paul Chua contacted me and discussed about regrouping of a band, Paul introduced Paul Kwok (from Kwok Brothers Singapore) together we further discussed about how to bring the band to popularity. I was then at the height of my music career as a pop singer, though hesitant about forming a band, and finally acceded to Paul’s enthusiasm to regroup again.
Initially, we were toying with the idea of restarting Ronnie & The Burns again but then my preference was to start a brand new name and so Ronnie & The Stylers was started from end 1966 to 1969 because that’s when I left them in search of my career. Spending three and a half years under Ronnie & The Stylers and decided to quit the band scene was quite painful then but there were only two choices; either I continue to be in the band and lead a band boy’s life or I quit and lead a different lifestyle as years wear on. In search for a career was my priority, although it was a painful decision to quit the band as the camaraderie was strong but I decided to leave without looking back.
Before leaving the Stylers, I was instrumental in making sure to get the band into recording so that they have a future too, then I met Tony Wong of Polar Bear Records and got the band into serious recording business (Chinese songs) with them. After the Stylers stabilized with Polar Bear Records, backing many Chinese singers, their income was good from the recordings. I left and went for an interview with a hi-fi store, got the job, and from thereon I work and continued to build a career path since.
In 1967, Ronnie & The Stylers was popular at the Celestial Room Tea Dance. This hotspot was owned by then (Boss of The Hock Lee Bus) Mr. Quek Sin Bock, Mr. Quek was my good friend, he asked if I could stage the band at Celestial Room Tea Dance, I agreed. So every Sunday Celestial Room was packed until many of our supporters them had to queue for entrance. We were the anchor band at Celestial Room from 1967 to early 1969 (for more than two years).
During 1967 to 1968 Ronnie & The Stylers had performed at the then National Theatre (River Valley) on many occasions. We also did gigs for the Ministry of Culture (then under Datok Othman Wok) and also at the Capitol Theatre Sunday Musical Express hosted by Tan Swee Leong. Ronnie & The Stylers had recorded a cover version EP with the Squirrel Records owned by a recording veteran Mr. Ngo Cheong. That was the first English recording we did and after that I left the band when they went into Chinese songs."
(The above article is Ronnie See's written communication with Lim L.A. in March, 2009. All rights reserved.)
Ronnie See is presently a successful and well-known business person, renowned and respected for his entrepreneurial spirit.
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