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Showing posts with label vinyl records. Show all posts
Showing posts with label vinyl records. Show all posts

Looking Back: Country Music With Maxine Brown

Sunday, February 6, 2011

THIS POSTING IS NOT AN ADVERTISEMENT
If you are not familiar with the music of the 50s and 60s Maxine Brown's Looking Back To See - A Country Music Memoir - is the book to grab from the shelves of our National Library. The Three Bells (1959) is one of the biggest hits of all time and gave Maxine Brown, her sister and brother international stardom. And the story begins...
Mini review:
Maxine Brown shared stages with everyone, from unknowns to the knowns like Rick Nelson and Elvis Presley. "She saw Elvis at the beginning of his incredible, tragic ride" when she devoted one full chapter to travels with the King.

Then there were Jim Reeves and Johnny Cash and pieces of advice - "Lousy bands can mess up the greatest singers..." - from the people she met during the times of boogie-woogie, swing music, television, horror movies, The Kennedys, space flight, hula hoops and "nickel Cokes."

Country Music People magazine says it all, "This is the story of The Browns... It is also the story of rip-offs, frustration money woes, and the harsh truths about fame... Told in a spunky, no-holds-barred, immensely readable style with plenty of juicy anecdotes (blurb)."

If you have the time and interested in country music, this is the book to check out. And who are the Browns, in case you are not familiar with them? Her book tells all.

Image: Cover of "Looking Back To See - A Country Music Memoir" by Maxine Brown, The University of Arkansas Press (2005), USA. From: National Library Board, Singapore. NLB: 782.421642

Original article: Andy Lim.

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The Trailers: Phoenix Theme: Seeing Double

Thursday, February 3, 2011


Seeing Double: Play the song on the right bar while you read >>>>>>>
For those readers who are familiar with Singapore pop music from the sixties, seeing two different covers of the same vinyl is not surprising. For those who aren't, here are two Chinese New Year red packets. This particular vinyl sold so well that they produced another lot but with a slightly different cover. Not a bootleg copy, definitely.
44 Years Ago:
It was released exactly 44 years ago - in February 1967. The new Trailer for this recording was Jimmy Chan, featured as the man on the keyboard. Chan was with the Flamingos Combo (remember them?) and replaced Michael Teo.
Victor Woo:
That's the story I have at the moment until Victor Woo comes back from his trip to tell me the real story, so for those interested the record from Cosdel contains: Phoenix Theme - Go Go Beat (EMI HongKong), Lara's Theme (Jarre/Albert), Ding Dong Song - Off Beat (Yao Ming n Bart, Peter Maurice) and Ali San - Off Beat (Formosan folk song, unknown).
Line-up:
The back cover includes the Trailers line up for the vinyl: Victor Woo on lead, Edmund on rhythm, Eric Tan on bass, Jimmy Chan on the electric organ and piano, Tony Zee on drums and special guest, Robet Song on percussion instruments. In case you are interested, record number is: CEP 3001. You hear the songs everywhere in Singapore and the rest of South East Asia after this vinyl was released.
Images: Andy Lim Collection.
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The Quests 'Return Of Spring' by MrRainbow64

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Xperiment: 'Living In The Past' - Mr Rainbow64

Tuesday, February 1, 2011

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Shades Of Kung Fu Chinatown Rock: Chinese New Year 1979: The X'periment! Living In The Past?

Monday, January 31, 2011







Ang Pow:
Well, here it is, my own copy of Chinatown Rock (images:3,4) by X'periment. It's my ang-pow (red-packet) or Chinese New Year gift for everyone. I googled for the covers but couldn't find the images. I guess this record is going into extinction, so if you have a copy, keep it. The songs are gem-stones today.

Mervyn Nonis:
It is a Singapore WEA (Warner/Elektra/Atlantic) record pressed in 1979. Eight of the songs are originals by Mervyn Nonis and the Xperiment. It is produced and engineered by Stephen Israel and Lim Gek San.

K.V. John:
Personal Manager is K.V. John, who was a great compere in the 60s and 70s with his Spot Dances and Musical Chairs. John was also a comic on stage with a very pleasant personality. Does anyone know where he is now?

Original Songs:
So for those interested, Side One has: Chinatown Rock, Here Comes That Feeling, Come And Rest On Love, Living In The Past and *Fun, Fun, Fun. Side Two carries: Different Sound, Waiting, *Hedonism Is Fun, Geraldine and Baila. (Except for the two with astericks, the rest are originals.) Some songs are on You Tube provided by MrRainbow64. THANKS VERY MUCH, SIR.

Interviews:
I am waiting to interview Mervyn Nonis. Called him some months ago but couldn't make it to meet him. If you have any idea where the other members of X'periment are please let me know. I'd be glad to make an appointment to chat and write about them. Better still, if you can, do a write-up on the Comment page. Thanks.

Greetings:
HAPPY CHINESE NEW YEAR OF THE RABBIT EVERYONE. DON'T FORGET TO VISIT CHINATOWN! IT ROCKS!

Cover Images/Original article: Andy Lim.
B/W Image 1: http://www.chinatownology.com/
Image 2: http://www.blogtoexpress.blogspot.com/
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Lokananta Studio: Indonesia's Abbey Road: 4th Asian Games Souvenir Vinyls Feature Moluccas Songs

Sunday, January 30, 2011


(Images: a 10-inch LP, one in a series of 4 distributed during the 4th Asian Games in Djakarta in 1962.)

While I was posting the last few articles about Jimmy Linchong and a song from the Moluccas, I remember my few pieces of 10-inch Long Play records that I have, pressed by the famous Lokananta (literal: heavenly gamelan without drums) label. They are precious and not easily available in the market. And as I rummaged again feverishly through my cupboard I found four. One of them (image 2) contains the song Ajo Mama (j is pronounced yerh in Indonesian).

According to a website (internet address below), the Lokananta studio (image 1,2) in Indonesia is as famous as the one in Abbey Road, Westminster, London. It is the first Indonesian music label, founded in Solo, Central Java. Since its inception, Lokananta has been producing and duplicating records and audio cassette tapes.

When it started in 1958, the records were marketed through the RRI (Republic Rayat Indonesia). As the label reached its state enterprise status, the company activities included: administering, recording, broadcasting, printing and publishing.

Lokananta has thousands of songs from all over Indonesia in its treasure trove and its vast collection encompasses folk, ethnic, world and pop music. So there is keroncong, Javanese gamelan, Balinese, Sundanese, Batak (North Sumatra) and other regional music.

This vast music collection includes many recordings of famous singers from Indonesia. Master tracks in the studio contain songs from legendary composers and singers like Gesang, Waljinah, Titiek Puspa, Bing Slamet, and Sam Saimun. Lokananta has more than 5,000 such track recordings of local songs. Besides songs, state speeches of the late President Sukarno are kept.

Aside: Controversies abound regarding the well-known song Rasasayange. According to the same web-site, this song, together with other Indonesian folk songs, can be found on a single master-track in the Lokananta studios. It is claimed by a certain country as its original folk song but is actually an original from the Moluccas.

Record Detail:
Part One - Tracks on Side One: Dari Barat Sampai Ke Timur, Ba Bendi-bendi, Seringgit Dua Kupang, Ajo Mama, Side Two: Potong Bebek Angsa, Sarinande, Lenggang-Lengang Kangkung, Kaparinjo. Orkes Lokanada, pimpinan B. Y. Supardi.

The original and detailed version can be found in the website below:
http://www.reviewing-blogs.blogspot.com/2010/05/lokananta-indonesian-abbey-road.html
Record Cover image: Andy Lim Collection.
(Because of copyright, I have deleted the two photographs showing the recording studios and replaced them with the image of my own personal copy of the album I discussed. You can see the studio images on JGP 4838 Flickr.)


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This Linchong EP Needs Interpretation: Anyone?

Friday, January 28, 2011


The only EP (Blue Star NE 1014) that I possess of Jimmy Linchong because it was offered to me at a discount and because I remember watching him on television and admired his looks.
The National Museum screened his movie, The Singing Thief in June, 2009 where he acted with Lily Ho (sexy, screen siren of the sixties). But the above song selection is not from the movie.
If Chun See or anyone else can help to translate the cover title and 6 song titles into English, I'd be grateful.
Image: Andy Lim Collection.
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Lam Chun See Remembers Teresa And Jimmy

Wednesday, January 26, 2011

THANK YOU CHUN SEE: Read his comments under Jimmy Linchong's posting. Ayo Mama or Ai Qing Nali Lai is by Teresa Teng. She learnt this song together with Rasa Sayang when she stayed in Indonesia. Rasa Sayang and Ayo Mama originated from the Maluku Islands (Spice Islands) of Indonesia.

Doesn't matter if you can't read Chinese. Enjoy song on the Right Bar >>>>>

印度尼西亚民歌

小河弯弯 流水不断来
河里的水草
跟着漂过来
流水长在 长流那天外
问一声河里水草哪里来

哎哟 妈妈
莫非也像我的恋爱
哎哟 妈妈
可是来的这样奇怪
哎哟 妈妈
怎么你不讲个明白
谁知道我的爱情哪里来

小河弯弯 春风吹过来
河边的花香
跟着飘过来
遍地花开 芬芳到心怀
问一声春天从哪里来

哎哟 妈妈
你可不能不理不睬
哎哟 妈妈
我的寂寞情意难挨
哎哟 妈妈
给我怎么样的安排
你可叫我怎样的安排
谁知道我的爱情哪里来

Ayo Mama: Indonesian lyrics (literal translation):

Ayam hitam telurnya putih (Black chicken too has white eggs)
Mencari makan di pinggir kali (Searching for food by the lakeside)
Sinyo hitam giginya putih (Dark-skinned bride has white teeth)
Kalau ketawa manis sekali. (When she smiles, she's so sweet)

Ayo mama, jangan mama marah beta (Oh mum, don't you scold me)
Dia cuma cuma pegang beta (He's just holding her playfully)
Ayo mama, jangan mama marah beta (Oh mum, don't you scold me)
Lah orang muda punya biasa. (It's natural with the young)
Anyone willing to help with the Mandarin translation? Doesn't matter anyway. It's the beat that matters. Cha-cha-cha!!!
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The Stylers Celebrate Chinese New Year In Style

Monday, January 24, 2011

There's a truly fabulous website on The Stylers and I am sure my namesake Andy who created it will not mind if I connect this particular posting to the site. It's a Stylers bunny year. Thanks again Andy and Randy. Without these two gentlemen we would have lost a treasure trove of Stylers goodies.
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Jimmy Linchong: Had Looks Only Elvis Could Match

Sunday, January 23, 2011

He was handsome and had looks that only Elvis Presley could match. In fact some fans said he looked like The King. It was a matter of opinion but he could hold an audience in the 1960s, both on stage and on the screen.

Originally known as Lin Hsi-hsien, Jimmy Lin Chong was born in 1934 to a Taiwanese politician with a Japanese wife in Tainan, Taiwan. He graduated from the Tamkang Junior College of English (now Tamkang University).

His started his career in 1955 as a film actor and when he completed his military stint in 1957 he was invited to play in Taiwanese and Mandarin films. In 1962, Lin studied in Japan and when Hong Kong had become a dreamland for those interested in films.

A leading Japanese film company signed a contract with Lin, enabling him to play in Hong Kong-Japan co-productions like: A Star Of Hong Kong and Tokyo, Hong Kong, Hawaii. Lin’s popularity was extended to Hong Kong in 1968 when he became a hit with his avant-garde costumes and performance. He was just as popular in Singapore with a generous fan base. I remember watching him on TV and enjoying the moment.

It was obvious that the Shaw Studios recognised his talent and popularity. He became an actor with Shaw Brothers and played a leading role in a musical called, The Singing Thief. It was directed and written by the well accepted Chang Cheh. The musical drew crowds and Lin contined with two more films, The Singing Escort and Tropicana Interlude.
Do you know anything more about Jimmy Linchong?
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P. Ramlee's 'Bujang Lapok' On A Chinese Record Unique Indeed: Bau Asem, Ketiak Siapa Busok?

Sunday, January 16, 2011


CHINESE POP INSTRUMENTAL: A-Go-Go And Off-Beat Cha-Cha Art Sea Record: MEP 3032.
There were hundreds of instrumental groups in the 60s that cater to the Chinese pop markets in Singapore, Malaya and Hong Kong. Some of them have been featured many times on this blog.
These bands include Maurice Patton and The Melodians, Charlie and The Boys, The Travellers, The Silver Stones, the popular Stylers and more. The songs are usually covers of Western pops.
TIAN LIAN BAND:
The genre of music is familiar too since these bands recorded 60s tunes mainly for dancing. But the name TIAN LIAN BAND (images) was a surprise - a very Chinese group indeed! Never heard or seen a record by this band. After checking some websites I found that this particular band had recorded other songs on Art Sea Record.
P. RAMLEE:
But what is more surprising is the song on side two. Unless you are familiar with Malay pops, Pok Pok Bujang Lapok is a tongue-in-cheek about bachelors. It is composed by P. Ramlee and used in his movie with the same title. The other three songs include, When Will You Return (tagged as 'a Chinese song'), Young Ones (a Cantonese song) and So Lonely (a Hokkien song). A gimmick perhaps?
SWINGIN' SKIPPERS:
Even the group name of the dancing girls in the photographs caught my eye. They are called, The Swingin' Skippers. The girls must have been popular then to have their names displayed on the cover. Don't you find their costumes so informal and simple? That's Singapore street wear in the 60s. Not much different from today? And off-beat cha-cha definitely symbolises Chinese pops.
BOLSHOI BALLET ORCHESTRA:
P. Ramlee's music has also been played by orchestras like The Bolshoi Ballet Orchestra of Tashkent. Listen to You Tube on right bar >>>>>
Images/Article: Andy Lim Collection.
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樱花 Sakura n The Quests: R n R Yodelling Guy

Saturday, January 8, 2011


Read comments on this Sakura recording (You Tube: by EHT123) in the previous posting below:
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One Of The World's Greatest EP Album Covers Features 60s Sakura Singing John Lee Hooker


On November 29th 2007, an EP featuring Sakura's (Ying Hua) Puppet On A String (image 1) was posted, not too negatively, on a Website about The World's Greatest LP Album Covers, 45's too (image 2). Well, it's the honest truth:

"What could be better than a Singapore singer covering western pop songs in broken English with a fuzz-guitar backing. Here for your enjoyment is Sakura’s four- track 1967 EP featuring 'Puppet On A String' plus six superb tracks from her album 'Sakura Goes Boom Boom'.

Sandie Shaw notoriously disowned the ’60s Eurovision novelty song 'Puppet On A String' but Sakura Teng has made it her own, and even poses as puppets (and puppeteer!) on the sleeve. And what the hell is she wearing? Presumably silver tights and baby doll dresses were all the rage in Singapore in ‘67. Chinese singers famously have trouble singing western lyrics so you have to admire Sakura who not only impersonates Elvis on 'Rock ‘n’ Roll Yodelling Guy' but also (you guessed it) yodels. Is there anything this woman can’t do!

But save room for her take of the John Lee Hooker classic from her album 'Sakura Goes Boom Boom' which has to be heard to be believed, and the fuzz guitar-driven cover of Connie Francis’ 'Stupid Cupid'. Sakura is backed by a band called The Quests who were seemingly the in-house band at EMI-Columbia, Singapore and also back other singers, including Rita Chao.

Note: the back of the album bears the advertising legend: ‘Sakura also goes bazazz with Max Factor."

Article by: David Noades (Thank You, David)
So my dear readers, what do you think of David Noades' comment? Are we a novelty?
From: http://lpcoverlover.com/2007/11/29/china-dolls/
(REMEMBERING ELVIS PRESLEY: 76 YEARS YOUNG TODAY: 8TH FEBRUARY, 2011).
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Kamahl - Silent Night 1975 from: negramDKbent

Thursday, December 23, 2010


An article on Kamahl is in the next posting below:
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Kamahl: From Bricksfield, Kuala Lumpur To Sydney Opera House, London Palladium And Carnegie Hall

From Kuala Lumpur:
I thought I had lost the album (image) but after a thorough search last night I found the LP between Bing Crosby and David Seville's Chipmunks. So here he is, the man who was a regular face on Singapore television in the 70s. I remember him well but didn't realise he was a Malaysian from Bricksfield, Kuala Lumpur until I read about him some years ago in the newspapers. Last year, in my usual search for vinyls, I came across his Christmas album at a record dealer. So, for those who's never heard of Kamahl, a posting as a present, the second one this season after Turn, Turn, Turn.
To Sydney:
Kandiah Kamalesvaran of Sri Lankan heritage, was born in Malaysia in 1934 and studied at Victoria School. When Rupert Murdoch heard him sing, the tycoon spurred him to move to Sydney where he became a successful artiste. After his first public coencert in 1958 he was encouraged to sing in pubs and clubs all over Australia.
To Carnegie Hall:
His magic moment came when he became one of the first few artistes to appear at the Sydney Opera House. Since then he had sung at a Royal Command Performance in Brisbane, at Carnegie Hall and at the London Palladium. His singles and albums sold in the US, Commonwealth countries and Europe, having cut records under the Philips, Mercury, EMI and other labels.
To Albums:
Kamahl had his first album in 1967 with A Voice To Remember. The title was prophetic because fans love and remember his deep, operatic voice, booming out pop songs that others could only croon. There was Dreams Of Love (1969), a gold hit and recognizably, End Of A Rainbow (1974). The World Wildlife Fund documentary had a song on its soundtrack by Kamahl which became a hit in 1975. An Australian citizen now, he had pressed more than a dozen albums.
For Peace and Happiness:
He had a message for his listeners on his Christmas album, "The Summer of '75 has been the summer of my life - thanks to the Elephant Song. May I wish you peace and happiness. Kamahl."
Christmas Album:
(Philips 6357 035. Christmas With Kamahl. Side One: Silent Night, Both Sides Now, Mary's Boy Child, Through The Eyes Of A Child, All I Have To Offer You (Is Me), I've Gotta Be Me. Side Two: White Christmas, I Could Try, How Small We Are, How Little We Know, Vincent, Sunrise Sunset, The Holy City.)
Why Are People So Unkind?
During a stage introduction, an Australian MC carelessly called him "camel", so he changed his name from "Kamal" to "Kamahl." He had always been teased about his name and skin colour but he
always had the same question for them, "Why are people so unkind?" Yes, why?
Wake Up S. E. Asian Composers:
(It's a great pity that local musicians are not composing new songs so older generation singers like Kamahl and others can record them. No market I suppose? It's so sad since the cultural scene in South East Asia and the region is so varied and colourful. Only the Indian continent and its Bollywood enterprise are able to challenge the Western music scene. Bhangra especially, with its dizzy, upbeat rhythm has been able to attract the youths in Los Angeles and the U.S. Why not Singapore's?)
Image/Original Article: Andy Lim.
Information: Wikipedia and Websites on Kamahl.
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Song About Singapore Covered By Top US Artistes Or "Why Our Music Appeals To Western Ears."

Saturday, December 4, 2010

On A Little Street In Singapore:
It's a well-known fact. A song about Singapore has been covered by top US bands and groups. And it was covered a long time ago. On A Little Street In Singapore is a very old song by Peter Derose and William J. Hill and was popular in the 30s and 40s.
Dorsey, James, Sinatra, Miller:
It was revived in 1978 by the Manhattan Transfer and when the group was here, the song became their trademark. Besides the Manhattan Transfer, Jimmy Dorsey, Harry James, Frank Sinatra, the Ames Brothers, Bert Kamfert and Glen Miller have covered it.
Exotic East:
The lyrics are typical of songwriters from the West when they interpret the exotic East, 'We'd meet beside a lotus covered door' and 'My sails tonight are filled with perfumes of Shalimar/With temple bells that guide me to her shore...' I am wondering if the cruise ships currently plying our shores are aware of this practice.
Suzie Wong:
Would be a great idea to boost tourism but shouldn't we have church bells too? And Christmas bells? Songs about Asia by Westerners will always have this cliched viewpoint and Singapore is no different, a sunny island in the mysterious East with its slant-eyed, cheongsam chicks called Suzie Wong. By the way, have you seen 'a lotus covered door' lately?
Charlie Chan:
To be fair, On A Little Street is a great song from the 40s, with its razzmatazz and jazzy, finger snapping composition but I am not too sure about the lyrics. Seems like Charlie Chan is still lurking around in some corner with his moustache and greasy hair. And Singaporeans are still wearing coolie-hats and samfoo!!!
Bootleg CDs:
Is this the Singapore some Western listeners are interested in, when they buy bootleg CD selections lifted from 60s Asian music vinyls? No wonder our 'older' songs are still selling. All for the wrong reason. Or is it for the 'Wong' reason?
Click: Movie Theme Songs Label below to check similar article about song Sayonara. (July 3rd, 2009).
Image/Movie/Singapour: http://www.doctormacro.com/
Original Article: Andy Lim.
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Sonny Bala & The Moonglows - 'Atalanta'

Friday, November 26, 2010


You Tube Video: by MrRainbow64
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Stevie Loraine, Terry Marsden, Dukes, Clansmen

Thursday, November 18, 2010


SOME SLEEVES SPEAK:
"Stevie Loraine (left) makes an impact on listeners. The quality of her voice, the feeling and depth in her singing and the instinctive way she has with a song - these belong to one who has been in the business for many years. But not in Stevie's case - for she is an amateur, has never sung in public before this record was made and has never had a singing lesson in her life either! Little wonder, she has been labelled a bundle of 'natural talent' and a recording manager's dream.
So much feeling was put into the song, Moments (written for her by Terry Marsden) that Stevie emerged from the studio with tears streaming down her face. That gives you some idea into the sincerity she puts into her singing.
Listen to the standard, There Goes My Heart; the original composed jointly by Tisana and Terry Marsden: Not Around and the second oldie Watermelon Man and judge for yourself the potential in this new voice.
Stevie's record will not be her last - this girl is all set to reach new heights in the recording world, and she has what it takes too (Philips: ME-0158-SE)."
I think when Zainal Abidin (Dukes bass guitarist) reads this posting he will have comments to make, since the Dukes are responsible for the "basic backing" on this EP vinyl called, Sweet Moments With Stevie Loraine.
Stevie cut another vinyl with The Clansmen (right image) on Philips ME-0196-SE, singing Walk With Me, If You Always Say, Do-Re-Me and It's Gonna Be. The second and fourth songs are originals by Terry again.
The Clansmen sounds like a British group but they are actually our local boys consisting of Abdullah Abu on lead guitar, Derrick Nunis on rhythm guitar, Raymond Lazaroo on bass guitar and Philip Monteiro on drums (back-sleeve cover).
This posting and others with SOME SLEEVES SPEAK labels are only for surfers who do not possess the vinyls but are interested in the information provided about our local bands and singers. There is no intention to waste the readers' time.
Image: Universal Music Singapore. Andy Lim Collection.
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Lonely Street, You Talk Too Much: Locke/Quests

Monday, November 15, 2010

Okay, so here he is. The guy who needs no introduction to our local music fans is one of the more successful singers in the 60s. He came from across the sea and together with the already famous Quests, unfurled music so potent that many youngsters today still think that they are the only pop band in Singapore.
Backing Mr. Dynamite, and with about 10 songs on his own list, The Quests say adios to Keith Locke with this particular recording. If you look at the image carefully you will notice a caricature of him in the background, with the special 'K' long-sleeved T- Shirt, boarding the plane and waving his last farewell. I just managed to get this vinyl during the week-end, recorded on 12/04/1966.
So for those who do not possess this pressing, simply titled, Keith Locke And The Quests, on Columbia/EMI: DO 4664, SOME SLEEVES SPEAK reveal: "This is Keith Locke's final record and his farewell tribute to the hundreds of fans that his voice brought him, during his singing career in Singapore.
Keith, originator of the Push Push beat and the dance of the same name, recorded this final single shortly before he left the Quests, homeward bound.
In the same tradition as his other records, You Talk Too Much (Jones, Hall) and Lonely Street (Sowder, Hearn, Belew, Stevenson) present Keith Locke as a highly competent singer. It is, in fact, his best record, with the warmth, emotion and feel for a song tht put him at the top with his first disc, You Lied.
The Quests provide some superb backing on this record, with snatches of fine guitar-playing. Keith adds everything else.
It may be goodbye from Keith but it's the only way he felt he could adequately express it... through a record.
And this is what his fans will remember him for. It's thank you to Keith for so many wonder songs, and as he would have said it himself, "Be nice, baby!"

Image: Universal Music Singapore. Andy Lim Collection.

*My way of presenting original sleeve-liners, so check out other liners by clicking "Labels" below:
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