Rediffusion Request Programs in the 60s - The Larry Lai Interviews (Part IV)

Saturday, October 23, 2010

Nasi Goreng and Ox-Tail Stew:

(Image of Larry in his disco suit on the left.) It will take a myriad of postings to document Larry Lai's tales and adventures as a broadcaster, so I have decided to write snippets of what he told me in the past weeks while we were busy enjoying our nasi-goreng, ox-tail stew and mango-ice cream. These postings will never do justice to his varied and interesting career at Rediffusion and his expertise as a broadcaster in Singapore, but here goes.

Rediffusion Requesters:
My chat with Larry in the 3rd interview ended when I asked him about Rediffusion requesters. Many Singapore youths who lived in the early 60s knew that it was fashionable among pop song requesters to have their lengthy, western names announced over the air. Cheap thrill if you call it, but it was youth culture then.

These ego-maniacs found it exciting to hear their names on the airwaves. When I discussed with Larry about Rediffusion 'friends' like, Elvis Jonathan Wee, Cliff Ricardo Tan and Cilla Debbie Soon, he explained that besides having unique names, they also had strange habits.

"When they found out where my future wife lived and where I parked my car during my visits to her home, they used my windscreen as a postbox, slipping their heavily decorated, request postcards between the wipers. Every morning it was extra work for me, as I had to clear the tons of mail accumulated. And if it rained the night before..."

He took his listeners seriously and made sure he answered every postcard and request for songs on air. Woe betide Larry Lai if he failed to do so because there would be repercussions. He would be in trouble... The requesters would write him nasty letters.

Larry remarked that oddities like these came with his work. But it made the only cable station in Singapore a hit with our 60s youths. The exceptionally popular request programme stretched from one to four hours daily.

(Only music and personalities from the 50s to the 70s are posted on this blog. This article is the fourth posting about Larry Lai. For 3 previous interviews Click Larry Lai under labels below.)

Image: Larry Lai Collection. (All rights reserved)

Original article: Andy Lim

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'Oh Moby Dick Was So Big And Slick' - The Larry Lai Interviews (Part V)

*Moby Dick:

An idea cropped up in late 1967 when record hops became popular and the Singapore live music scene began to wane.

With local bands becoming more expensive and Phillipino bands taking over the night clubs, Larry thought it would be an ideal opportunity to start a mobile disco which made some business sense.

What was needed was a good sound system, lighting effects, a vehicle and a few a-go-go ladies. At the end of 1969, he partnered with a friend to set up the mobile discotheque. With quality speakers, custom-made power amplifiers, turn-tables, mixers and music sources, the business venture was set up.

Like the already popular Larry Lai branding, Moby Dick quickly became another household name. By the early 70s, the go-go girls were gyrating and patrons were:

"Prayin' for this moment to last,/Livin' on the music so fine,/Borne on the wind,/Makin' it mine, /Night fever, night fever... (Composers/Singers: Gibb Brothers)."

An agreement with the popular Kelong Restaurant at the Cathay Cinema to have Moby Dick's presence there, resulted in another successful venture by Larry.

And as the shimmering disco balls twirled in the strobe lights and the adrenalin was pumping in every disco-maniac's body, cash was flowing in. "Oh Moby Dick was so big and slick, There was never such a whale... (Frankie Laine)"

*Larry's favourite literary fiction by Herman Melville. Name 'Moby Dick' comes from 'Mob-ile Disco-theque'.

(This is the final posting on Larry Lai. For 4 previous interviews Click Larry Lai under labels below.)

Image: Larry Lai Collection. (All rights reserved)

Original article: Andy Lim

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Hindi Song: Dil Mein Chupake Pyar Ka - Aan

Wednesday, September 1, 2010

SONGS I LOVE:

Another 50s Hindi song that kept playing in my head was from the musical, Aan (or Pride - image). I had tried for some time to check out the song from movie websites and from friends but to no avail.

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So a visit yesterday, with my Music Meister friend, to a neighbourhood coffee shop at Serangoon proved fruitful when his Indian friend wrote out the full song title in romanised Hindi. That did the trick and I heard it again for the first time after many years. *Mohammed Rafi's: Dil Mein Chupake Pyar Ka came alive on You Tube.

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In those early years of Hindi movies in Singapore the re-runs were either at the Garrick Cinema in Geylang Serai or the Queen's Cinema in Geylang Road. Aan or Savage Princess was called a 'swashbuckling, romantic film', that became a block-buster. The unique English title was used to draw US audiences who were always keen about the 'mysterious' East.

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The movie was produced in 1952 and was the first Indian film in 'Technicolor'. It was directed by the legendary Mehboob Khan and starred Dilip Kumar and Premnath (big stars they were). Music was by Naushad.

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Again it was my Malay neighbour who persuaded me to see the film after drumming the song into me for days. To appease him, we queued patiently for tickets at the Garrick and managed to get the 50-cent seats. We were 6 rows away from the screen, had to lean back and look upwards for the duration of the movie. I couldn't remember the plot, I could this particular song.

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I came out of the cinema with a stiff neck. Hamid laughed when I complained but I must thank him for the humbling experience and beautiful song. In Singapore, the interest and love for Bollywood movies never waned. Even today Singaporeans of all races watch them on television, DVDs and in the cinemas to 'escape the harsh realities of everyday life.' Similarly 50s and 60s Indian pop evergreens are still in demand in the music shops.

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*Mohd. Rafi was an Indian playback singer (doing voice-overs for movie stars) for four decades. Versatile and talented, he could sing in English, Persian and 10 Indian languages. Rafi had been honoured many times by the Indian government, Bollywood and other movie industries for his capability and music contribution.

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(Apparently Tamil movies are just as popular in the 60s as it is today, especially in Singapore because Tamil is one of the four official languages. In fact, for non Singapore readers, this island has both a TV channel and radio station that broadcast only in Tamil. The songs are popular too.)

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Thanks to yuanyuanyuanyin for You Tube videos and comments.

Image/Movie information: Wikipedia and Websites.
Original article: Andy Lim.

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For: Music Meister, Eusoof Angullia, Salma, Ahyar Jammari, Azizah and Abdul Hamid (wherever he is.)

Anyone with an extra copy of the vinyl?

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Shades Of Blue! Anita Sarawak, Stylers, Silver Strings, Tidbits, Rediffusion Tan Swee Leong

Monday, August 23, 2010

(Image reads: The new Shades consist of Rich, who plays the lead guitar, sleepy Joe on rhythm, Vince on bass, Malcolm on drums and vocalist Raj. The boys are practising very hard for this morning show, and with their talent and co-operation, they will do their best to entertain you.)

In October 1968, a church in the east coast of Singapore organised a musical concert at the Odeon Katong cinema called, Morning Melodies. It was certainly not the usual service because the names of the stage performers on the programme were unique indeed. They were to appear that early Monday morning at nine, so it could have been a public holiday.

The entertainment included a guitar group called The Shades Of Blue (image), a Reverend Philip Chan (dubbed on the programme as 'The Singing Pastor'), the Heralds Choral Society of Singapore, four female vocalists who could have sung in Chinese, Malay or English. They were Hazel Lee, Judy Lee, Fong Yin and Murni Sarawak. There were also male vocalists Steven Ong and Chang Suen.

What was most surprising were the appearances of Las Vegas diva Miss Anita Sarawak, The Tidbits (early-teen school girls: Melina Wee, Serene Wee and Bernadette de Souza - Radio Television Singapore, 1968 Talentime winners and RCA recording artistes), The Stylers and The Strings (The Silver Strings momentary change of name). And the compere for the morning event was Rediffusion's Tan Swee Leong, debonair DJ and pop MC for many stage and musical shows.

The show was in aid of an "educational and scholarship fund", so you could have imagined the heat on stage that morning with these top performers giving off their best for a cause. Wow! It was an alumni of the best musical talents from the late 60s, gathered under the Odeon Katong roof.

Do you remember this gathering of 60s music stars? Were you in the organising committee? Were you a member of Shades Of Blue? It's been a long time but if you still remember Morning Melodies, please write in.

Information/Image: From Souvenir Programme. Thanks to Randy Lee of The Stylers.

Original article: Andy Lim.

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Mr Cool: Under 21 Show, Rediffusion Discoveries, Rado Show. The Larry Lai Interviews (Part III)

Monday, July 12, 2010

Her faults are fewer, her lips are truer, my China doll - Slim Whitman:

Put him on stage and he swoons the crowd with his bass baritone voice, perfect diction and immaculately tailored, Six Million Dollar Man suits from *Danny's. But off stage, Larry Lai was so shy when he first met his wife that he did not have enough courage to ask for her telephone number.

The Rosee D'or was the place where he first set eyes on his pretty "China doll." In the 60s this night club was above the old Lido Cinema at Orchard Road and veteran singer Ahmad Daud with the late Saloma were both performing then. Larry Lai and Tan Swee Leong were in charge of a live recording of the show for Rediffusion.

After he was formally introduced to the young lady by a friend they were together for 5 years before Larry married her in 1965. So this year, as Singapore celebrates its 45th National Day, they celebrate their wedding anniversary too!

There's no people like show people, like no people I know - Ethel Merman:

It was my third meeting with Larry as he reminisced his years at Rediffusion . "I was with the broadcast station from 1960 to 1978 and remember the first few weeks. It was my first show at the auditorium called Under 21 and as I approached the microphone, my knees were shaking so badly, I had to hold them. Actually there was an audience of only 300 people."

There was another occasion when his boss had an accident and Larry, at the very last minute, had to host Rediffusion Discoveries at the Odeon Cinema in town. Although he was ill-prepared, the show went on smoothly as he faced an audience of about 1,500 people. "There was hardly any entertainment in the 60s and people were just flocking to these shows."

Comparatively, Larry considered Rado Show (image) his most challenging as it was his television debut. He had agreed to do the show after he left Rediffusion in 1978. It was a quiz and entertainment programme recorded live. The show was a success but he recalled an occasion, when the programme exceeded its transmission time by three minutes because of a technical glitch.

So that evening, through no fault of theirs, when The Trailers, a pop guitar group, was closing the programme with an instrumental number, it played into news-time i.e. beyond its 9 pm schedule. Larry managed to save what could have been a disastrous situation. He exclaimed: "Nobody goes beyond the 9 o'clock news!" He's not called Mr. Cool for nothing.

Music man play your song for me, Music man play my soul, Music man play a melody, Music man take control - Chaka Khan:

Larry added that adequate preparation was the key to being a confident and good compere. But there was no guarantee that every show or broadcast would be a success and felt that he was fortunate he faced no major problem during his own career.

Larry remembers that his work as a DJ was just as interesting. He has a very good memory and this ability has allowed him to remember the many songs, singers, composers and bands in the music scene. They may well run into the thousands and Larry enjoyed sharing the music and trivia with listeners who had either written to him or telephoned him during his tenure at Rediffusion.

As the interview became more interesting and I started asking him about regular Rediffusion requesters in the 60s with names like: Elvis Augustine Neo, Ursula Katerina Ong and Cliff Alphonso Beng, he suggested a mee-siam break at Ang Moh Kio...

More about MR COOL in future postings. Would you like to share your thoughts about him?

*Popular with Singapore celebrities in the 60s & 70s.

Image: Rado Show/Larry Lai Collection.

Original article: Andy Lim.

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