The Singapore General Election 2011: Vote Wisely, Vote With Care On Election Day: 1955 Advice

Wednesday, April 13, 2011

SONGS I LOVE:

(This posting is not a propaganda to vote for any party.)

Radio broadcast coming from Malaya was nothing special and many Singaporeans listen to the news and entertainment provided. So when the Malayan elections were about to be held on July 27th in 1955, announcements were common. It wasn't the election that attracted me but the song, composed by a humorous, radio personality called Zainal Alam.

He had a successful career in broadcasting in Malaya and to improve himself took up a Government Management Program in the USA. According to a website, "his course-mate friend was John F. Kennedy" who later became the President.

Besides Malay, Zainal speaks the local languages and dialects. He peppers his songs using colloquial catch phrases that everybody understands. One of these songs I love was Vote, Vote, Vote. I searched in vain but could not find the English version of this very popular song. It was an attractive jingle and played like a commercial day and night before election time, encouraging the populace to vote wisely. Perhaps someone in Singapore could compose an election song with just as serious a message but palatable for local consumption?

Below is part of the English version which I could remember. The Malay version is on the right side-bar. And the message is clear. Whether it's the American citizen choosing Barack Obama for his second presidential term or our Singaporean selecting a candidate for Parliament, remember to: "Vote wisely, vote with care because once you vote there is no 'lagi sa-kali' (one more time)." Anyone has the full English version?

The Voting Song (English version: Zainal Alam)

Vote vote vote

Everybody vote

Remember 27th is the day (change to: the 7th of May)

Don't forget

That you must not delay

Vote wisely vote with care

Everybody vote

When you vote You must vote wisely

What people say

You 'jangan peduli' (don't bother)

Use your head

Think very carefully

Because once you vote

There is no 'lagi sa-kali' (one more time)

Image: http://shawbrother.multiply.com/journal/item/1

SINGAPORE GENERAL ELECTIONS: 2011

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Local Pop 60s, 70s Songs: Personal Choice (Part I)

Tuesday, March 29, 2011

I am trying to ease the trauma and tragedy of these past weeks and the postings I had of the Japanese tsunami, the radioactive leak and the passing away of a great, pop 60s keyboardist friend... So, change of subject.

LOCAL SONGS I LOVE:

Friends have asked me my list of favourite songs by Singapore 60s artistes. They noticed that all the songs I love are not Singapore ones. It is a long list but I thought about it and decided that the eleven songs below could be my choice. Some of the hits are covers of US and British ones sung by our artistes while others are originals by Singaporeans Robert Suriya, Henry Chua, Matthew Tan, Shirley Nair, Harvey Fitzgerald and others.

I have included The Blue Diamonds' Ramona under local as Ruud and Riem de Wolffe are so familiar in our music scene. In fact I like them better than The Everlys. Rudy has passed on but Riem is somewhat Singaporean. The songs are not in any particular order. And remember, we were young then, in our 20s?

1. Shanty - The Quests

2. Ramona - The Blue Diamonds

3. Singapore Cowboy - Matthew & The Mandarins

4. It's All Over - Naomi & The Boys

5. My Lonely Heart - The Thunderbirds

6. Happy, Happy, Birthday Baby (Chinese) - Rita Chao

7. Mr. Twister - The Crescendos

8. I Believe - The Tidbits

9. Do It Right - Benny & The Trailer

10. You're The Boy - Shirley Nair & Silver Strings

11. Sausalito - Western Union Band

And the song that transports me back to the 60s? Most of them. Do you have a local 60s or 70s favourite?

Image: The LIFE Records Ltd, Nathan Road, Kowloon, Hong Kong. Andy Lim Collection.

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Elizabeth Taylor: Sixties Silver Screen Siren

Thursday, March 24, 2011

Remembering LIZ TAYLOR with a song. She had passed on at 79 years young. I was thinking of the movie Giant (1956) and the theme song by Dimitri Tiomkin that I remember so well and could sing as a youth. Fans gathered like bees at the Capitol Cinema when this honey of a film came. Tickets were sold out days ahead.
Nearly everyone who saw the blockbuster loved and learnt the Tiomkin hit which boomed out on the giant speakers at the theatre. It was also popular with Radio Singapore requesters and caused a stir. But this was the 50s lah, not 60s.

By chance, while watching television this evening, Elton John appeared on the little screen and dedicated, Don't Let The Sun Go Down On Me to the beautiful and sensual star of the silver screen. But my choice remains. So Liz Taylor, one of the giants of the 60s screen, this song's for you:

Just like a sleeping giant/Sprawling in the sun /In one great hand the Rio Grande/In the other Galveston/Where oil wells laugh at angels/Buzzards wheel above/This then is Texas/Lone Star State of Texas/This is the giant/Land I love..."/Just like the silver dollar/Falling from above/This then is Texas/Lone Star of Texas /This is the giant/Land I love.../Austin to Houston/The Alamo, El Paso/Crystal City, Waco/Giant, giant, giant...

(Music/Lyrics: Dimitri Tiomkin/Paul Francis Webster/1956)

Images: By courtesy of (1) Flickr and Raffles Hotel, Singapore. (2) Google/'Giant' with James Dean.

Elizabeth Taylor was in Singapore in 1957 with husband, then Mike Todd (of Todd AO lenses fame), and had a gown designed for her by Doris Geddes. She was here again in the 90s when Michael Jackson had a concert at the National Stadium. There are many websites about Liz Taylor.

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The Sandpipers Sing Chotto Matte, Misty Roses

Saturday, March 19, 2011

THE SANDPIPERS:

Stephen Thomas Erlewine, when writing about The Sandpipers, wrote that they were a male vocal trio that recorded easy listening pop hits in the mid 60s and was "distinguished by its light, breezy harmonies, which floated over delicate, breezy string arrangements, as well as the occasional appearance of a wordless female backing vocalist who drifted in and out of the music."

Sandpipers did not manage to have a long, sustained career but had one Top Ten hit with Guantanamera in 1966 (numerous Asian versions: check 'Guantanamera' under Labels below). There were other songs like Beyond The Valley Of The Dolls, Misty Roses, Today, Chotto Matte Kudasai and covers. The group was originally known as the Four Seasons and the trio were part of the Californian Mitchell Boys Choir before they formed their own group. Famous trumpeter Herb Alpert (remember him with his Tijuana Brass), who ran his own A&M record label was impressed when he heard them and signed them to a record contract.

An added female vocalist, Pamela Ramcier, "was one of the most distinctive elements of the group's music" and with her mod outfit of mini-skirts and a-go-go boots "made her more noticeable than the actual Sandpipers."

In 1970, Come Saturday Morning became a hit when it was part of the soundtrack for the movie, The Sterile Cuckoo. The Sandpipers continued to record into the '70s but after five years without any chart success, they disbanded in the mid-'70s. (Please read the next posting below.)

Image: The Sandpipers - Jim Brady, Mike Piano, Richard Shoff.

More about Sandpipers: http://new.music.yahoo.com/sandpipers/biography/

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Chotto Matte Kudasai, Excuse Me While I Cry...

SONGS I LOVE:
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An English song by The Sandpipers but with a Japanese title is Chotto Matte Kudasai. In Japanese (ちょっと待ってください) it means, 'please wait a second' or 'please wait a moment.' although 'Shosho omachi kudasai' is more polite.
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The simplicity and sentiment of the lyrics, possibly conjuring an image of a beautiful girl or young man (depending on the singer), make it so popular that it has been recorded in other languages. Singapore, Malaya, other Asian 60s music artistes like Frankie Cheah and Frances Yip have recorded it.

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Martin Denny has quite a sugary version vocalised by an Asian lady. In the new century a Filipino group called Joey de Leon and The Sex Bombs has another. It is a lounge favourite with both pianists and night clubbers, a karaoke 'must sing' and can be heard in any building that plays elevator music.

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A hit with elementary keyboard enthusiasts, Chotto Matte music notes are found within the pages of numerous books teaching children songs. Like Que Sera Sera and Annie Laurie, the melody is loved by many young 'uns. Three cheers for evergreens.
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Chotto matte kudasai
Please excuse me while I cry
Seems sayonara means goodbye
But no one ever told me why

Sakura was in the spring
When our hearts found songs to sing
But Sakura has gone away
And so has our love, so they say

Chotto matte kudasai
Please excuse me while I cry
Without your love I would die
Please don’t leave me kudasai...
.
Image: Google Images.

Original article: Andy Lim

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Singapore Street-Hawker Calls And Elvis' 'Crawfish'

Sunday, February 20, 2011

Singapore street hawkers or vendors in the 60s have been highlighted as being unique and special. Many stories have been written about them and one author, Chan Kwee Sung in his book, One More Story To Tell, highlights the street laksa (page: 44) sold in the Katong area in the East Coast and the hot porridge (page: 49) in downtown Chinatown. These memories are etched forever in the minds of those who have lived the period and seen the food-sellers .

I remember my own encounter with these street hawkers along Geylang Road in Singapore where they advertise their food using their own unique/special hawker calls to draw out customers from their homes.

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The meat-bun man will shout his, "Char siew pau..." as he pushes his cart filled with hot, steaming buns in containers balanced over a charcoal fire. Then there's the chicken porridge man selling his, "Kaiiiii choke."

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The won-ton noodle hawker's assistant who strikes a small bamboo piece with a stick, using a rhythmic beat to announce his delicious meal for 30 cents a bowl. "Tock, tick, tock, tick, tock, tick, tick, tick, tock..." I even recall the Indian rojak (spicy salad) who shouts his ware along the pavements of Geylang with, "Rojak, rojak..." Street sounds we call them. Or food sounds?

The food hawkers mentioned by our local writers are not uncommon in other parts of the world (images). There are street hawkers everywhere and Singapore is no different. In fact the opening scene of the Elvis Presley movie, King Creole (Paramount: 1958) depicts street hawkers selling their wares in downtown New Orleans in the 50s. (please watch video above). After the film title, Elvis duets with singer Kitty White to sing Crawfish.

Elvis describes the catch:

"I went to the bayou late last night

There wasn't no moon but the stars were bright

Put a big long hook on a big long pole

And I pulled Mr Crawfish outta his hole

The street call:

Crawfish, craw-aw-aw-feeesh!

See I got 'em see the size

Stripped and clean before your eyes

Sweet meat look good

Fresh and ready to cook...

Craaawfeeesh!

The sales pitch:

Now you take Mr Crawfish in your hand

He's gonna look good in your frying pan

If you fry him crisp and you boil him right

He'll be sweeter than sugar with every bite

Crawfish..... crawfish...

(Song credited to: Fred Wise/Ben Wiseman)

Whether it's food culture or otherwise, the world has been connected a long time ago. Like the funeral bands in New Orleans and our own Singapore funeral marching bands - the similarities are astounding.

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Perhaps there is one difference between Singapore's street vendors and those from the West; they are more imaginative and sing their wares.

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Can you remember other popular 60s songs with food as a theme?

Images: 1. Paramount Studios/Elvis Presley Estate. 2. National Heritage Board Singapore.

Original article: Andy Lim.

Book Quote: One More Story To Tell - Memories of Singapore - 1930s to 1980s (Chan Kwee Sung: Landmark Books, 2005).

.

(This posting is for Derek Tait who's just joined as a Follower. Thanks Derek. Welcome home!)

SINGAPORE HAWKERS' FOOD

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Bach Creates, Diamond Sings Jonathan L. Seagull

Wednesday, January 5, 2011

The Album:

SONGS I LOVE:

In 1973 Neil Diamond composed, wrote and recorded on Columbia the soundtrack to the movie, Jonathan Livingston Seagull (image 2). It is from a book by Richard Bach (image 1) and I honestly cannot remember how many times I played the songs from the album. Commercially, the music was more successful than the movie. It was Diamond's first album after an earlier hit, Hot August Night, released in 1972.

Album Review:
I would like to quote a review by Shawn M. Haney that I edited. It sums up the album adequately. He commented that in the recording Neil Diamond put himself into the shoes of Jonathan Livingston Seagull, writing and singing music, compelling and rich in texture and melody to fit the portrait perfectly for the movie.

"Be

As a page that aches for words

Which speaks on a theme that's timeless

While the Sun God will make for your day

Sing

As a song in search of a voice that is silent

And the one God will make for your way..."

Orchestra:

Recorded in 1973 for CBS under the pop/rock style genre, Diamond had much help from those around him to make the album a reality. Tom Catalano must be commended for the production and musical direction, Lee Holdridge for conducting and splendid, string arrangements, Armin Steiner for sound engineering and the hundred-plus musicians who rallied to record the soundtrack for overall performance.

Singer/Songs:

Though Diamond only sings on a few tracks, he does it so with much grace, smooth flair and enchantment. "Romantic, fresh and lively, this album fits the piece of the puzzle the motion picture needed so perfectly." Tracks include: 1. Prologue 2. Be 3. Flight of the Gull 4. Dear Father 5. Sky Bird 6. Lonely Looking Sky 7. Be* 8. Lonely Looking Sky* 9. Dear Father* 10. Anthem 11. Be 12. Skybird 13. Dear Father 14. Be (*These three songs appear as "The Odyssey".)

Movie Comment :
"I saw the movie when it came out, not a human being in it, as I recall. Fascinating, with the wonderful soundtrack composed and largely performed by Diamond with full rich sound, his arrangement is pure pleasure and his voice thundering during the score. This is music to listen to anytime, to sing with, to love. Own it forever." Submitted by a reviewer (Connecticut, U.S.A.)

Book Comment:

Jonathan the seagull learns to fly beyond his highest expectations when he left his friends and becomes an outcast. As a non-conformist he enjoys his freedom with other gulls that believe as he does. The theme, to listen to our hearts even when it goes the unaccepted ways, is clear. The book was a best seller in the 70s and remains popular today. The author, Richard Bach, is a descendent of composer Johan Sebastian Bach.

Quotes/Personal:

1. "Keep working on love."

2. "The gull sees farthest who flies highest."

3. "If our friendship depends on things like space and time, then when we finally overcome space and time, we've destroyed our own brotherhood..."

Best is to read the book. Won't take 20 minutes, unless you're not much into self-improvement books. I am not but I enjoy this one. Book is 40 years old, and last count sold more than 40 million copies. My!

Original article/Image/Album Info from CD: Andy Lim Collection.

Choice of quotations are my own.

Article extracts: http://www.cduniverse.com/

Copyright: Sony Music Entertainment Inc.

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Auld Lang Syne: Robert Burns, In The Midnight Hour

Friday, December 31, 2010

Aside:

Today is a special New Year's Day (1.1.11). It's lst January, 2011. You won't get this combination again for another 100 years.

Auld Lang Syne/Origin:

Yes, he did. Robert Burns (image) Scottish poet, wrote Auld Lang Syne in 1788, the song that you sing at a party, as the clock strikes the midnight chimes to usher a new year.

The tune is a traditional Emglish folk song called the Roud, taken from the data base of a librarian called Steve Roud who compiled the list only recently in 1993. Click You Tube on right bar as you read: >>>>>>>>>>>

Meaning:

The words of the song, literally translated from old Scottish dialect, means Old Long Ago and is about love and friendship in times past. There are many other arrangements and interpretations of this folk song and Beethoven has one gem of a version.

Singapore tries very hard to have 'original' songs. Perhaps one of our composer could think of a version for this island. Wouldn't work would it? And in what language?

HAPPY NEW YEAR 2011!

Lyrics:

Should auld acquaintance be forgot

And never brought to mind?

Should auld acquaintance be forgot

And auld lang syne.

Chorus:

For auld lang syne my dear

For auld lang syne

We'll take a cup o' kindness yet

For auld lang syne.

For other postings on Robert Burns click 'Labels' below.

Original article: Andy Lim

Information from Wikipedia and other Websites.

Image: http://www.scottishpoetrylibrary.wordpress.com/

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Turn! Turn! Turn! (to Everything There Is A Season) by: 373rna1s7ar

Friday, December 17, 2010

Check the next posting below for lyrics:

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Dwarfs, POWs, Gunslinger, Teacher And Panther? Songs That We Don't Sing In The 60s

Saturday, December 11, 2010

Whistle While You Work:
I remember watching Disney cartoons when I was very young and loved Snow White (1937) with her seven dwarfs. One particular song, Whistle While You Work, enchanted me so much that I easily learnt the skill because I wanted to whistle the tune so badly. Music from the past has many of these whistling tunes. This posting is about some of them.
Coloney Bogey March:
Another one that became a whistling hit was the Colonel Bogey March written in 1914. Although not many people remember the title, they knew how to whistle, "that River Kwai song." The song was a powerful one because of its repetitive, simple melody and because it was from the soundtrack of the blockbuster, The Bridge On The River Kwai.

Prisoners of War:

The tune was played when the POWs marched towards the prison camp and is not to be mistaken with the orchestral counter-march composed in 1957 by Malcolm Arnold. Both marches had been recorded together by Mitch Miller and his Orchestra as March from the River Kwai - Colonel Bogey.

The Good, The Bad And The Ugly:

In 1966, Singapore film goers went wild with a spaghetti western called, The Good, The Bad And The Ugly and the main theme, composed by Ennio Morricoe, echoed for months everywhere.

Clint Eastwood:

Hugo Motenegro had a version using the Moog synthesizer that went up to number two on the Billboard Pop Single Chart in 1968. And gunslinger Clint Eastwood (image) clinched it again. It was so popular that it had been covered by our local group, The Stylers.

I Whistle A Happy Tune:

The very pretty Julie Andrews (in later years to become *Blake Edwards' wife) appeared in a movie that fascinated both young and old. The King And I (1956) showed for weeks at the Cathay Cinema in the 50s and a song that kept everyone bright and cheerful was, I Whistle A Happy Tune.

The King And I:

In the movie, it was performed on board a ship when teacher Andrews was on her way to meet Yul Brynner the King. To ease her son's fear and tension, she sang and whistled the song. It became a hit with other songs in the show.

The Pink Panther Theme:
The Henry Mancini Pink Panther Theme (1963) is an instrumental composition that whistled its way to a nomination at the Academy Award for Original Music Score in 1964. It won three awards.

Inspector Clouseau:

The movie about the pink cartoon character was animated in time to the tune. It became successful commercially and made bungling Inspector Clouseau (Peter Sellers), a character in the Pink Panther series. It was directed by special Oscar winner *Blake Edwards. *(A few days after this posting Blake Edwards passed away, with wife Julie Andrews by his side.)

Roger Whittaker:

There are many whistling tunes? Do you know one that you like? Have you heard of Roger Whittaker? He whistles most of his songs like Mexican Whistler, Pretty Bird, River Lady and classics like The Elizabethan Serenade. But that's another story...

Image:

Original article: Andy Lim.

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Colonel Bogey March: Mitch Miller & His Orchestra

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Don McLean's Killing Me Softly With American Pie

Friday, December 3, 2010

SONGS I LOVE?

Playing Only Half The Song:

It is so long that DJs play only one side of the eight and a half minute song. It needs no introduction because it tells the rock and roll story, so anyone familiar with early 70s music would know it. Singer songwriter Don McLean was not tongue-in-cheek when he said that he never had to work again after his hit single. His composition American Pie (1971) made money for him and it became the new anthem in the USA.

Buddy Holly n Friends:

A 'sprawling impressionistic ballad', it touched on the death of Buddy Holly, Ritchie Valens and the Big Bopper (P. Richardson) in a plane crash way back in 1959. McLean wrote the song in the 60s and, together with another composition, Vincent, the songs became hits.

Best Song of Century:

American Pie is in 5th position under the 365 Best Songs of the Century category. Somewhere Over The Rainbow (Judy Garland), White Christmas (Bing Crosby), This Land Is Your Land (Woody Guthrie) and Respect (Aretha Franklin) are the first four.

Killing Me ... With His Song:

He became an overnight success and American singer Lori Leiberman commented that Killing Me Softly With His Song (1971) was written due to a reaction from a Don McLean concert. She had recorded it but the Roberta Flack's (recently in Singapore) version won the Grammy.

Comment:

1. When I first heard the song I thought it would never end. El Paso (1959) by Marty Robbins was the longest song I've heard before American Pie. I don't really like AP but love the different interpretations that come with it.

2. Say whatever, the song made an impact on rock n rollers even up till today. It was even revived by Madonna. Do you think anyone would write about our singer songwriters who had passed on?

3. There is a posting on this blog about singer songwriter Sonny Bala who died in the 90s. Nobody wrote a song about him. Why aren't we honouring our own Singapore artistes?

4. Comment anyone?

Information: Wikipedia.

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Papa He Loves Mama: The Original by Donald Peers - Video from: loadsamusic

Monday, November 29, 2010

SONGS I LOVE:

The original is called, Papa, He Loves Mama and it's by Donald Peers. A lovely song to play for your wedding anniversary or birthday party! Come on guys. Still love each other, don't you both? And its a beautiful song to teach your children and grandchildren. Read about this particular song and a few others in the next posting below.

Lyrics:

1.

Listen well while I tell you a story

Of a boy and girl in the Spring

As the first flower burst into glory

And I heard every bird start to sing.

Chorus:

Papa he loves mama

Mama she loves papa

Papa he loves mama

Mama she loves papa

La, la, la, la, la, la...

2.

In a church far away from the city

On a morning in May they were wed

And the bride's starry eyed looked so pretty

That the world looking on, smiled and said.

3.

Just a year from the day they were married

Came a gift from the girl to the boy

Looking proud as a queen as she carried

Such a wonderful bundle of joy.

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Of Wedding Bells, House, Baby, Papa And Mama

(a): 'Mama looka Boo Boo,' they shout.

Their mother tol' them, 'Shut up your mouth,

That is your daddy.'

'Oh no. My daddy can't be ugly so!'

'Shut your mouth, go away...'

(b): Somebody bad stole de wedding bell

Somebody bad stole de wedding bell

Somebody know but nobody tell

Cause somebody bad stole the wedding bell

Who's got the ding, dong, who's got the bell...

The songs I listened to during my youth are the ones I still remember today. The tunes and lyrics spin in my head all the time and can be turned on immediately. It's like clicking on to the song-list of an mp3 player or an i-phone. The explanation follows the list below:

l. Where Will The Dimple Be? - Rosemary Clooney

2. House Of Bamboo - Earl Grant

3. Looking For Henry Lee - Jo Stafford

4. High Noon - Frankie Laine

5. Ivory Tower - Gale Storm

6. Papa Loves Mama - Donald Peers

7. Somebody Bad Stole De Wedding Bell - Georgia Gibbs

8. Mama Looka Boo Boo - Harry Belafonte

Can you still remember the songs you love?

1> Rosemary Clooney (image), who is George Clooney's aunt, used to be a pop singer in the 50s and 60s and her version of, Where Will The Dimple Be (1955) was a favourite on Radio Singapore's request programme, Calling All Hospitals where Maisie Conciecao was the DJ (we use the term, 'announcer' those days). It was the most requested song for a baby dedication. And KK (Kandang Kerbau) Hospital was the maternity hospital then.

4> Tall and lanky actor Cary Cooper, the male lead in High Noon, was one of the icons for Westerns. The movie was a hit when it was shown in Singapore, drawing crowds at the cinemas. High Noon, the song (1952), by Tex Ritter, was a request favourite and played on the air everyday. The Frankie Laine version was more popular locally.

6> When Papa Loves Mama (1960) came on the air, it became the anthem for many Singapore families and a favourite for dancing the cha-cha-cha. The original and only version I know is by Donald Peers; so in this instance it's the song, not the singer. The giggling girl accompanying Peers could be Joan Regan.

7, 8> The other novelty tunes on my list, Somebody Bad Stole De Wedding Bell (1954) and Mama Looka Boo Boo (1956) must be heard to be appreciated. With humorous lyrics and a grand calypso beat, these two classics are hardly played on the radio today. The Georgia Gibbs version of SBSTWB is unavailable on You Tube. MLBB by Belafonte is on You Tube, accompanied by Nat King Cole (side-bar). Great songs for kids too!

(c): On the baby's knuckle, on the baby's knee,

Where will the baby's dimple be?

Baby's cheek or baby's chin

Seems to me it'll be a sin

If it's always covered by the safety pin...

Shall we discuss the other songs on another posting? Are you familiar with any of these songs?

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'HAWAII 5-0' The Theme Song Lives On...

Monday, November 15, 2010

SONGS I LOVE:

Yes, a re-make of Hawaii Five-0, the television series, is on our small screen now. But I remember the song better. The instrumental was an after dinner call for the family to gather in the living room.

The theme song was recorded by The Ventures in late 1968 and is popular with many of our local and SE Asian pop bands. There was always a guitar group performing the tune on stage then.

In fact, The Ventures were one of five musical acts that had been indicted into the Rock n Roll Hall Of Fame on March 10th, 2008.

The Quests from Singapore has a version of Hawaii 5-0 on its LP, The Sound Of The Quests (SREG: 9514) recorded on 9/11/1970.

With its upbeat sound and military like rhythmic precision, Hawaii 5-0 is still being played today and many brass bands include it in their repertoire.

Image: http://oldschoolmusiclover.com/

Original article: Andy Lim.

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Jose Mari Chan's Big Hit: "Beautiful Girl" (Pt II)

Saturday, October 30, 2010

SONGS I LOVE:

I only heard Jose Mari Chan with Beautiful Girl in the early 90s. This carrier single from his album Constant Change sold very well and became a regional hit especially in Singapore, Malaysia and Indonesia.

250,00 Copies:

But not many people know it's written by a Filipino. It exceeded 10 times 'Platinum' status, more than 250,000 copies, so the Philippines music industry had to come up with the 'Diamond' Record Award for JMC.

Lea Salonga:

Beautiful Girl was even covered by Asian stars like Aaron Kwok, Paula Tsui, Sally Yee, Sandy Lam, Kamahl, Tomomi Akimoto and Yasuo T while other JMC romantic favourites by country mate diva, Lea Salonga (Miss Saigon.)

Christmas In Our Hearts:

Again and again his songs have rebounded as hits for other artistes. So when I asked some Filipino musicians working in Singapore about Jose Mari Chan, they exclaimed, "Christmas In Our Hearts!" because it is the industry's biggest selling Christmas album in history. Blessed with a great voice, good looks, a talented mind and rapturous fans, it looks as if JMC has got them all.

(A recent email from MusicMeister LL about JMC woke me up as I realised that he is one Filipino pop singer that I had to include in my list of music influences.

Beautiful Girl by Jose Mari Chan

Beautiful girl, wherever you are/I knew when I saw you, you had opened the door/I knew that I'd love again after a long, long while/I'd love again.

You said "hello" and I turned to go/But something in your eyes left my heart beating so/I just knew that I'd love again after a long, long while/I'd love again.

Chorus: It was destiny's game/For when love finally came on/I rushed in line only to find/That you were gone.

Wherever you are, I fear that I might/Have lost you forever like a song in the night/Now that I've loved again after a long, long while/I've loved again.

Beautiful girl, I'll search on for you/'Til all of your loveliness in my arms come true/You've made me love again after a long, long while/In love again/And I'm glad that it's you/Hmm, beautiful girl.

Image: http://girl-xinhonline.blogspot.com/

Information: Wikipedia, other Websites.

Original article: Andy Lim

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Jose Mari Chan: 60s Music Man, Filipino Singer, Composer, Business Man, Philanthropist (Pt I)

Friday, October 29, 2010

In 1974 he was honoured with one of the Ten Outstanding Young Men (TOYM) titles from the Philippines. It was a Lifetime Achievement Awards from the Philippines Association Recording Industry and The Metro Pop Foundation. And it's not Freddie Aguilar.

Jose Mari Chan can be categorised as a mid-60s music man. He came into show biz in 1966 when he hosted and sang on a TV show called, 9 Teeners.

His first single Afterglow was released in 1967 and his first LP (long play vinyl) album Deep in My Heart was issued in 1969. In 1973 he represented the Philippines in the World Popular Song Festival in Tokyo with his song Can We Just Stop and Talk A While.

From 1970 to 1975, he composed more than 20 theme songs for movies and some earned him nominations at the Filipino Academy of Movie Arts and Sciences Award. He wrote commercial jingles and the well known ones were the Philippine Air Lines Love At Thirty Thousand Feet and the Alaska Milk jingle. He was also at his peak with a series of TV network specials spotlighting his lyrics and music.

Just as popular in the US, and with his degree in Economics, he moved to America and concentrated on his own business and remained there for 11 years. When he came back to the Philippines in 1986, he recorded Tell Me Your Name. This 60s musician had connected himself to the younger generation.

In 1989 he recorded, Constant Change and it was named Album of the Year by the Awit Awards (Philippines), equivalent to the American Grammy Awards. Chan is an international star and has appeared in the big cities in the US including Vegas and Carnegie Hall. He won the hearts and ears of UK and European fans and most of Asia.

Followers have found this philanthropist's love songs refreshing, captivating, heart-warming and lyrical. A Love To Last A Lifetime, Can We Stop To Talk Awhile, Afraid For Love To Fade, Deep In My Heart, Is She Thinking About Me and the 2005 South East Asian Games theme song are just some of the many compositions he penned.

I am thinking about Aguilar (Anak) and Chan... Two totally different personalities but both touched the hearts of people around the world with their hauntingly beautiful songs.

To read about Freddie Aguilar, click Labels below.

Information: Wikipedia, http://www.josemarichan.net/

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Mrs LKY, Kiri Te Kanawa And Frank Sinatra

Monday, October 4, 2010

Mrs Lee's Xmas Carols n Pops:

i) Even with her busy schedule, Madam Kwa Geok Choo (Mrs Lee Kuan Yew) had time for both classical music and pop songs. She would, within a festive and Yuletide setting, enjoy the Christmas carols sung by her favourite singer, *Kiri Te Kanawa (left image).

ii) A grand-daughter of Mrs Lee also mentioned that they both had the same taste for a certain detective novelist and a male pop singer, Dorothy Sayers and Frank Sinatra (right).

*About Kiri Te Kanawa:

I was hooked on Dame Kiri, renowned New Zealand soprano since the early 70s. I wasn't too big with classics but appreciated a few of her Opera interpretations because of her particularly strong and beautiful voice. When I rummaged through my CD collection, I found my copy of Heart To Heart (1991), where Kiri sang duets with Malcolm McNeill, another Kiwi, to produce an album of 14 pop songs.

Although she became 'internationally acclaimed as one of the most famous opera stars of the century', she was able to sing in a different musical style and come together in a programme of romantic songs.

The selection included some 70s songs: The Long And Winding Road, Pieces Of April, The Rose, We're All Alone, He Was Beautiful and Love Song. It was a Kiwi-Pacific Recording completed at Mandrill Studios in Auckland, NZ and EMI at Abbey Road, London.

Dame Kiri was in Singapore with Robert Redford and The Vienna Boys in 2008.

**About Frank Sinatra:

Much has been written about Sinatra, so do look him up on the Web and rather than list the numbers that he recorded, here are a few of his more obscure songs. Unless you are a Sinatra die-hard, you might not know any of them. But they are only some of his greatest hits.

Witchcraft, I Get A Kick Out Of You, Love Is Here To Stay, Nice N Easy, Nancy (With The Laughing Face) are just a few. (Goldies GLD 63026: SPA 1991).

Read about Sinatra in Singapore on a posting about Larry Lai : Sunday, June 06, 2010: Naturally BBC: English Gentleman Without The Stiff Upper Lip - Larry Lai Interview - (Part II)

Kiri: http://www.takemetoasia.com/events/robert-redford-dame-kiri-te-kanawa-and-vienna-boys-choir.html

i/ii) Information: The Straits Times. October 5th, 2010. Pg: A6.

Original Article: Andy Lim.

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Pop Songs About Cars All The Way (Part II)

Sunday, September 26, 2010

Rocket 88*

The song was put together by Ike Turner and his band. It is a hymn of praise of an Oldsmobile Rocket 88, which had recently been introduced. The song was based on the 47 song Cadillac Boogie and was the second-biggest R&B single of 1951.

Ike Turner's piano intro to the song was later used, nearly note-for-note by Little Richard in Good Golly Miss Molly. Again, when vehicles reigned supreme and the American car symbolises sexual prowess: 'Gals will ride in style, movin’ all along...'

Pontiac Blues*

It was written by blues great Sonny Boy Williamson but when the British blues bands emerged in the 60s, they covered just about every memorable blues tune by every important blues artist.

In this case, an early edition of the Yardbirds with Eric Clapton recorded Pontiac Blues, and joined up with Sonny Boy for a live album recorded in 1963 at England’s Crawdaddy Club. And the lyrics? 'I found out what my baby likes... whole lot of loving, and a straight-eight Pontiac.'

Crocodile Rock:

It is a 1972 composition by Elton John and Bernie Taupin. The song was inspired by John's discovery of Australian band Daddy Cool and their hit, Eagle Rock, while the lyrics take a nostalgic look at early rock n roll and a relationship with Suzie. It has possibly been influenced by The Diamonds 1957 hit, Little Darlin, while the chorus resembles Pat Boone's Speedy Gonzales.

Don't forget the car, cause it's a Chevvy again, 'Me and Suzie had so much fun, holding hands... Had an old gold Chevy and a place of my own, Long nights crying by the record machine, Dreaming of my Chevy and my old blue jeans...

Hitchin' A Ride:

This song spells it all. It's a problem without a car in the US because, as the lyrics explain, 'I got no fare to ride a train, I'm nearly drownin' in the pouring rain, Hitchin' a ride, hitchin' a ride, Gotta get me home to my baby's side... Oh won't somebody stop to help a guy...' Especially if it's a male!

Vanity Fare (image), a UK based band, made this 1969 song a hit in the US, reaching No. 5 on the Billboard Hot 100 in 1970 and selling a million copies. It didn't do too well in the UK charts though. It was written by Mitch Murray and Peter Callander.

Steve Farram is right. There are many pop songs about cars. But the road ends here. If you know of favourites with the same theme, do contribute.

Image: http://belovedsong.com/?m=201006&paged=3

*Edited Info: http://today.msnbc.msn.com/id/17579943

Original article: Andy Lim.

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Cruisin Crashin Cars Celebrated In Songs (Pt I)

---------------With the Singapore 2010 Formula 1 Night Race in the headlines, expensive COEs and second-hand vehicles selling like hot cakes, the subject of cars is on everyone's lips.

Although a hot topic in Singapore, cars have never been celebrated in song here as in the US. In fact certain models have been immortalised by American artistes in love with these machines. So how many of the following songs are you familiar with?

Mustang Sally:

Both music and car aficionados are familiar with Mustang Sally as the Mustang has been a symbol of speed among American motorists for many years, helped along by Steve McQueen’s car chase through the streets of San Francisco in a GT 390 Fastback in Bullitt (1968).

In 1966, Wilson Pickett scored a hit with this R&B rocker about a lady who was advised to slow down, because she was moving too fast. Written by Bonny Rice, it has since become known as a Pickett anthem. You’ve been riding all over town, ooh, guess you gotta put your flat feet on the ground. Ride, Sally, ride.

Little Deuce Coupe:

Drag racing, while illegal, is nonetheless an American tradition. The Beach Boys (image) paid tribute to it in this ode to a ’32 Ford with a big V8. Brian Wilson co-wrote this with a disc jockey named Roger Christian, who was heavily into cars. Also, there’s the suggestion the little deuce coupe can do 140 mph, an exaggeration really. The song reached No. 15 on the U.S. pop charts in 1963.

Hot Rod Lincoln:

Most people know the version by the country and rockabilly band Commander Cody and his Lost Planet Airmen, which was released early in 1972 and rose to No. 9 on the pop charts. One of the more famous lines goes like this: My pappy said, ‘Son, you’re gonna drive me to drinkin’, if you don’t stop driving that Hot Rod Lincoln. There was an earlier version, written in 1955.

409:

The Beach Boys recorded 409 (a Chevrolet) in 1962, and more than a dozen other songs about cars. 409 was released as the B-side of Surfin’ Safari. Most of the lyrics are fairly simple and repetitive, such as Giddy up 409 and She’s real fine my 409. The Beach Boys were infatuated with girls, cars and the beach, often in the same song.

G.T.O:

Ronny and the Daytonas (image) came out of Nashville with dreams of mimicking the Beach Boys’ sound but had mixed success. G.T.O., penned by John Wilkin, was released shortly after the car itself and reached No. 4 on the charts in 1964. Although they did not have staying power, they did hammer at the car theme and sold more than a million singles of this song as well as a half-million albums.

[Information, by Michael Ventre (19.3.2007), has been taken from the website below and edited for brevity.]

http://today.msnbc.msn.com/id/17579943

Images 1: http://rocknrollgraffiti.blogspot.com/2009/01/cars-engines-inspire-recordings.html

2: http://www.amazon.ca/G-T-O-Best-Ronny-Daytonas/dp/B000003H19

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