Groovematics: Singapore Private Clubs Play 60s

Sunday, May 22, 2011

The natural talent, versatility and repertoire of Philippino musicians are legendary. These melody makers perform in many private clubs and nightspots all over Singapore. Our local islanders who love pops, throng these places to listen to singers like Laila, Vanessa and one man band Ging (lst image) over a glass of beer.

Handsome Ging is so deft on his guit strings that those who are familiar with his playing compare him to Carlos Santana. His rendition of Black Magic Woman, Oye Como Va and other Santana hits kept us enraptured the whole evening. The girls sing anything from the 50s and they sound as great as they look! Their version of Freddie Aguilar's Anak will pull the heartstrings.

Requests for particular songs from patrons were swift as drink-hostesses carried slips of paper to the two ladies on stage. The Groovematics kept the young crowd entertained. Image 2 shows promoter and Silver Strings bass guitarist, Audie Ng with his group. And where is this band playing? Cannot tell lah! But definitely not far from the Esplanade.

Images/Article: Andy Lim.

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Young Musicians Play Western Oldies At Asian Resorts But They Are Not Playing South East Asian Pop 'Oldies'

Wednesday, December 15, 2010

Rest and Recreation:

During trips to Melaka and the Indonesian islands at the beginning of this year (2010), my family and I were entertained by young musicians who were able to sing and play songs from the past. These singers were either Philippinos or Indonesians.

Shadows to Dire Straits:

The top image shows a trio from the Philippines that were playing at a nightspot in a hotel at Mahkota Parade in Malacca. They had a repertoire of guitar instrumentals that ranged from The Shadows to Dire Straits. With fingers flicking on the accompanying synthesizer, one lone guitar plays the tune. Versatility is the name of the game as requests from the crowd came fast and furious.

Seniors and Connie Francis:

Surprisingly the two pretty ladies and young man were able to please the crowd of junior and senior merry-makers with whatever songs they wanted. Favourites for the night included selections from Cliff Richard, Elvis Presley, The Beatles, Diana Ross and Connie Francis. After a little chat with the young man, he remembered he worked in Singapore in the 90s. He told me his 'boss' was Audie Ng (bass guitarist of the Silver Strings).

Bintan Island:

The second image shows a quartet from a holiday resort at Bintan Island. This group was playing in the large and airy restaurant that had its dinner tables extended to the pool outside. There were no requests as the young musicians, comprising of Indonesians, belted out songs accompanied by the keyboardist during our big 'makan' under the starry skies.

Calypso and Mambos:

Their repertoire was different as they played rhumbas, cha-cha-chas, calypsos, sambas and mambos. To cool the warm, tropical night the singers ended the evening with a selection of soothing songs.

Comment on Pop 60s Music In South East Asia:

1. While the trio in Melaka pranced and danced on the tiny stage provided, the foursome at Bintan were cool and relaxed in their seats. Different styles naturally. But both groups were effectively entertaining.

2. Sixties music lives on, even on the little islands and provinces in South East Asia. It would also be a good idea if some of these local artistes learn 60s music from their own countries, ie: the Malaysians learning 60s Malaysian pop music, the Indonesians playing 60s Indonesian pop music and so on. The Philippines has a wide repertoire of local pop music from the 60s. Why aren't they doing so?

3. Bands in the South East Asian region must play their own pop music 'oldies' from the 50s and 60s otherwise these local classics will just fade away. There are many more songs beyond Bengawan Solo, Rose Rose I Love You and Singapore Cowboy.

But a personal comment here; these highly skilled music people are lowly paid. What a pity because they deserve much more...

Image/Original article: Andy Lim Collection.

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Jose Mari Chan's Big Hit: "Beautiful Girl" (Pt II)

Saturday, October 30, 2010

SONGS I LOVE:

I only heard Jose Mari Chan with Beautiful Girl in the early 90s. This carrier single from his album Constant Change sold very well and became a regional hit especially in Singapore, Malaysia and Indonesia.

250,00 Copies:

But not many people know it's written by a Filipino. It exceeded 10 times 'Platinum' status, more than 250,000 copies, so the Philippines music industry had to come up with the 'Diamond' Record Award for JMC.

Lea Salonga:

Beautiful Girl was even covered by Asian stars like Aaron Kwok, Paula Tsui, Sally Yee, Sandy Lam, Kamahl, Tomomi Akimoto and Yasuo T while other JMC romantic favourites by country mate diva, Lea Salonga (Miss Saigon.)

Christmas In Our Hearts:

Again and again his songs have rebounded as hits for other artistes. So when I asked some Filipino musicians working in Singapore about Jose Mari Chan, they exclaimed, "Christmas In Our Hearts!" because it is the industry's biggest selling Christmas album in history. Blessed with a great voice, good looks, a talented mind and rapturous fans, it looks as if JMC has got them all.

(A recent email from MusicMeister LL about JMC woke me up as I realised that he is one Filipino pop singer that I had to include in my list of music influences.

Beautiful Girl by Jose Mari Chan

Beautiful girl, wherever you are/I knew when I saw you, you had opened the door/I knew that I'd love again after a long, long while/I'd love again.

You said "hello" and I turned to go/But something in your eyes left my heart beating so/I just knew that I'd love again after a long, long while/I'd love again.

Chorus: It was destiny's game/For when love finally came on/I rushed in line only to find/That you were gone.

Wherever you are, I fear that I might/Have lost you forever like a song in the night/Now that I've loved again after a long, long while/I've loved again.

Beautiful girl, I'll search on for you/'Til all of your loveliness in my arms come true/You've made me love again after a long, long while/In love again/And I'm glad that it's you/Hmm, beautiful girl.

Image: http://girl-xinhonline.blogspot.com/

Information: Wikipedia, other Websites.

Original article: Andy Lim

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Jose Mari Chan: 60s Music Man, Filipino Singer, Composer, Business Man, Philanthropist (Pt I)

Friday, October 29, 2010

In 1974 he was honoured with one of the Ten Outstanding Young Men (TOYM) titles from the Philippines. It was a Lifetime Achievement Awards from the Philippines Association Recording Industry and The Metro Pop Foundation. And it's not Freddie Aguilar.

Jose Mari Chan can be categorised as a mid-60s music man. He came into show biz in 1966 when he hosted and sang on a TV show called, 9 Teeners.

His first single Afterglow was released in 1967 and his first LP (long play vinyl) album Deep in My Heart was issued in 1969. In 1973 he represented the Philippines in the World Popular Song Festival in Tokyo with his song Can We Just Stop and Talk A While.

From 1970 to 1975, he composed more than 20 theme songs for movies and some earned him nominations at the Filipino Academy of Movie Arts and Sciences Award. He wrote commercial jingles and the well known ones were the Philippine Air Lines Love At Thirty Thousand Feet and the Alaska Milk jingle. He was also at his peak with a series of TV network specials spotlighting his lyrics and music.

Just as popular in the US, and with his degree in Economics, he moved to America and concentrated on his own business and remained there for 11 years. When he came back to the Philippines in 1986, he recorded Tell Me Your Name. This 60s musician had connected himself to the younger generation.

In 1989 he recorded, Constant Change and it was named Album of the Year by the Awit Awards (Philippines), equivalent to the American Grammy Awards. Chan is an international star and has appeared in the big cities in the US including Vegas and Carnegie Hall. He won the hearts and ears of UK and European fans and most of Asia.

Followers have found this philanthropist's love songs refreshing, captivating, heart-warming and lyrical. A Love To Last A Lifetime, Can We Stop To Talk Awhile, Afraid For Love To Fade, Deep In My Heart, Is She Thinking About Me and the 2005 South East Asian Games theme song are just some of the many compositions he penned.

I am thinking about Aguilar (Anak) and Chan... Two totally different personalities but both touched the hearts of people around the world with their hauntingly beautiful songs.

To read about Freddie Aguilar, click Labels below.

Information: Wikipedia, http://www.josemarichan.net/

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Foreign Songs Become English Hits (Part I)

Tuesday, April 6, 2010

FOREIGN SONGS BECOME ENGLISH HITS (1):

It is a well-known fact that countless 60s popular and classical music from foreign countries become English language hits in the UK, US and other parts of the world. This posting will focus on some of these classics. We start in Asia.

MANDARIN: Rose, Rose, I Love You is an English adaptation of the Mandarin song, Méigui Méigui Wǒ Ai Ni by Yao Li (1940s), the only song written by a Chinese to become a major English language chart hit.

The English lyrics were written by a British DJ, Wilfred Thomas and recorded by 50s pop singer Frankie Laine and the Norman Luboff Choir, with Paul Weston and his Orchestra in 1951. The song, with different English lyrics, was also covered in the UK by Petula Clark (1951) and by Kyu Sakamoto (1960s).

JAPANESE: The second Asian song, Sukiyaki by Kyu Sakamoto went to the top in 1963. So far, this is the only song by a Japanese singer to hit the ceiling in the U.S. The Japanese title is Ue O Muite Aruko, which means I Look Up When I Walk. It is definitely a Singaporean favourite even till today. The Blue Diamonds (Holland) recorded it with English lyrics in 1963 and personally, is one of the best versions!

FILIPINO: Another Asian pop classic, the very famous, Anak (1971) or child is a Tagalog song written and sung by Filipino folk-singer Freddie Aguilar. It has been translated to over a hundred local and international languages. The English version, by Aguilar, is a direct translation of the original and should not be missed by anyone who loves a beautiful rendition of an exceptionally sad song.

Freddie Aguilar Anak Philippino Music Influence (June 24, 2009)

Sukiyaki Kyu Sakamoto US/Japanese 60s Music (July 4, 2009)

Image: google

Information: Wikipedia Songs

Original Article: Andy Lim

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