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Showing posts with label Children Songs. Show all posts
Showing posts with label Children Songs. Show all posts

The Sandpipers Sing Chotto Matte, Misty Roses

Saturday, March 19, 2011

THE SANDPIPERS:

Stephen Thomas Erlewine, when writing about The Sandpipers, wrote that they were a male vocal trio that recorded easy listening pop hits in the mid 60s and was "distinguished by its light, breezy harmonies, which floated over delicate, breezy string arrangements, as well as the occasional appearance of a wordless female backing vocalist who drifted in and out of the music."

Sandpipers did not manage to have a long, sustained career but had one Top Ten hit with Guantanamera in 1966 (numerous Asian versions: check 'Guantanamera' under Labels below). There were other songs like Beyond The Valley Of The Dolls, Misty Roses, Today, Chotto Matte Kudasai and covers. The group was originally known as the Four Seasons and the trio were part of the Californian Mitchell Boys Choir before they formed their own group. Famous trumpeter Herb Alpert (remember him with his Tijuana Brass), who ran his own A&M record label was impressed when he heard them and signed them to a record contract.

An added female vocalist, Pamela Ramcier, "was one of the most distinctive elements of the group's music" and with her mod outfit of mini-skirts and a-go-go boots "made her more noticeable than the actual Sandpipers."

In 1970, Come Saturday Morning became a hit when it was part of the soundtrack for the movie, The Sterile Cuckoo. The Sandpipers continued to record into the '70s but after five years without any chart success, they disbanded in the mid-'70s. (Please read the next posting below.)

Image: The Sandpipers - Jim Brady, Mike Piano, Richard Shoff.

More about Sandpipers: http://new.music.yahoo.com/sandpipers/biography/
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Chotto Matte Kudasai, Excuse Me While I Cry...


SONGS I LOVE:
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An English song by The Sandpipers but with a Japanese title is Chotto Matte Kudasai. In Japanese (ちょっと待ってください) it means, 'please wait a second' or 'please wait a moment.' although 'Shosho omachi kudasai' is more polite.
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The simplicity and sentiment of the lyrics, possibly conjuring an image of a beautiful girl or young man (depending on the singer), make it so popular that it has been recorded in other languages. Singapore, Malaya, other Asian 60s music artistes like Frankie Cheah and Frances Yip have recorded it.
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Martin Denny has quite a sugary version vocalised by an Asian lady. In the new century a Filipino group called Joey de Leon and The Sex Bombs has another. It is a lounge favourite with both pianists and night clubbers, a karaoke 'must sing' and can be heard in any building that plays elevator music.
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A hit with elementary keyboard enthusiasts, Chotto Matte music notes are found within the pages of numerous books teaching children songs. Like Que Sera Sera and Annie Laurie, the melody is loved by many young 'uns. Three cheers for evergreens.
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Chotto matte kudasai
Please excuse me while I cry
Seems sayonara means goodbye
But no one ever told me why

Sakura was in the spring
When our hearts found songs to sing
But Sakura has gone away
And so has our love, so they say

Chotto matte kudasai
Please excuse me while I cry
Without your love I would die
Please don’t leave me kudasai...
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Image: Google Images.
Original article: Andy Lim
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Papa He Loves Mama: The Original by Donald Peers - Video from: loadsamusic

Monday, November 29, 2010



SONGS I LOVE:
The original is called, Papa, He Loves Mama and it's by Donald Peers. A lovely song to play for your wedding anniversary or birthday party! Come on guys. Still love each other, don't you both? And its a beautiful song to teach your children and grandchildren. Read about this particular song and a few others in the next posting below.
Lyrics:
1.
Listen well while I tell you a story
Of a boy and girl in the Spring
As the first flower burst into glory
And I heard every bird start to sing.
Chorus:
Papa he loves mama
Mama she loves papa
Papa he loves mama
Mama she loves papa
La, la, la, la, la, la...
2.
In a church far away from the city
On a morning in May they were wed
And the bride's starry eyed looked so pretty
That the world looking on, smiled and said.
3.
Just a year from the day they were married
Came a gift from the girl to the boy
Looking proud as a queen as she carried
Such a wonderful bundle of joy.
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Of Wedding Bells, House, Baby, Papa And Mama

(a): 'Mama looka Boo Boo,' they shout.
Their mother tol' them, 'Shut up your mouth,
That is your daddy.'
'Oh no. My daddy can't be ugly so!'
'Shut your mouth, go away...'
(b): Somebody bad stole de wedding bell
Somebody bad stole de wedding bell
Somebody know but nobody tell
Cause somebody bad stole the wedding bell
Who's got the ding, dong, who's got the bell...
The songs I listened to during my youth are the ones I still remember today. The tunes and lyrics spin in my head all the time and can be turned on immediately. It's like clicking on to the song-list of an mp3 player or an i-phone. The explanation follows the list below:

l. Where Will The Dimple Be? - Rosemary Clooney
2. House Of Bamboo - Earl Grant
3. Looking For Henry Lee - Jo Stafford
4. High Noon - Frankie Laine
5. Ivory Tower - Gale Storm
6. Papa Loves Mama - Donald Peers
7. Somebody Bad Stole De Wedding Bell - Georgia Gibbs
8. Mama Looka Boo Boo - Harry Belafonte
Can you still remember the songs you love?

1> Rosemary Clooney (image), who is George Clooney's aunt, used to be a pop singer in the 50s and 60s and her version of, Where Will The Dimple Be (1955) was a favourite on Radio Singapore's request programme, Calling All Hospitals where Maisie Conciecao was the DJ (we use the term, 'announcer' those days). It was the most requested song for a baby dedication. And KK (Kandang Kerbau) Hospital was the maternity hospital then.
4> Tall and lanky actor Cary Cooper, the male lead in High Noon, was one of the icons for Westerns. The movie was a hit when it was shown in Singapore, drawing crowds at the cinemas. High Noon, the song (1952), by Tex Ritter, was a request favourite and played on the air everyday. The Frankie Laine version was more popular locally.
6> When Papa Loves Mama (1960) came on the air, it became the anthem for many Singapore families and a favourite for dancing the cha-cha-cha. The original and only version I know is by Donald Peers; so in this instance it's the song, not the singer. The giggling girl accompanying Peers could be Joan Regan.
7, 8> The other novelty tunes on my list, Somebody Bad Stole De Wedding Bell (1954) and Mama Looka Boo Boo (1956) must be heard to be appreciated. With humorous lyrics and a grand calypso beat, these two classics are hardly played on the radio today. The Georgia Gibbs version of SBSTWB is unavailable on You Tube. MLBB by Belafonte is on You Tube, accompanied by Nat King Cole (side-bar). Great songs for kids too!
(c): On the baby's knuckle, on the baby's knee,
Where will the baby's dimple be?
Baby's cheek or baby's chin
Seems to me it'll be a sin
If it's always covered by the safety pin...
Shall we discuss the other songs on another posting? Are you familiar with any of these songs?
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'Banana Boat Song' Calypso Music 60s (Pt I)

Tuesday, May 25, 2010

SONGS I LOVE:

(While searching for songs to entertain my grandson, I remember The Banana Boat Song with its sunny island rhythm, bongo backing and repetitive lyrics. Up till today his, "Day-o, day-o," has kept many neighbours wide awake.)
In the 50s and 60s when calypso music (from Trinidad) made its debut in Singapore and when Harry Belafonte became a household name with his signature song, nearly every Singaporean went crazy with this Jamaican folk.
Although its origin is not completely known, it is calypso and usually sung by Jamaican banana field workers who work on plantations and banana dock workers who load the fruit on the boats. They improvise the lyrics from time to time but the most common reference is "daylight come and we wan' go home".
The first recorded version called Day De Light was found in the album, Songs From Jamaica (1952) with Trinidadian singer Edric Conner and his band, The Carribeans, with lyrics by Ivrine Burgie from the Barbados. It's been covered by other singers and parodied too.
**The YouTube animation by 'acretiansholiq', "Run Mr Taliban." composed after the 9/11 attacks, features a parody version apparently performed by Colin Powell on the microphone with George W. Bush on bongos. The main refrain is, "Come Mr. Taliban, turn over bin Laden/Payback come then we drop the bomb..."
Explanation:
1) Come Mr Tally Man, tally me banana/Daylight come and we wanna go home = when daylight comes and the shift is over, they want their work to be counted (tally) so that they can go home.
2) Six foot, seven foot, eight foot bunch = the length of banana combs.
3) Hide the deadly black tarantula = these spiders are found on the bananas.
For younger listeners the song was used in the comedy film, Beetlejuice where in the dinner scene, the possessed guests sang and danced,
*The Banana Boat Song.
Day-o, day-ay-ay-o/Daylight come and me wan' go home/Day-o, day-ay-ay-o/Daylight come and me wan' go home
Work all night on a drink of rum/Daylight come and me wan' go home/Stack banana till de morning come/Daylight come and me wan' go home/Come, Mister tally man, tally me banana/Daylight come and me wan' go home/Come, Mister tally man, tally me banana/Daylight come and me wan' go home
Lift six foot, seven foot, eight foot bunch/Daylight come and me wan' go home/Six foot, seven foot, eight foot bunch/Daylight come and me wan' go home/Day, me say day-ay-ay-o/Daylight come and me wan' go home/Day, me say day, me say day, me say day/Daylight come and me wan' go home
Beautiful bunch of ripe banana/Daylight come and me wan' go home/Hide the deadly black tarantula/Daylight come and me wan' go home/Lift six foot, seven foot, eight foot bunch/Daylight come and me wan' go home
Six foot, seven foot, eight foot bunch/Daylight come and me wan' go home/Day, me say day-ay-ay-o/Daylight come and me wan' go home/Day, me say day, me say day, me say day/Daylight come and me wan' go home/Come, Mister tally man, tally me banana/Daylight come and me wan' go home
Come, Mister tally man, tally me banana/Daylight come and me wan' go home/Day-o, day-ay-ay-oDaylight come and me wan' go home/Day, me say day, me say day, me say day....ay-ay-o/Daylight come and me wan' go home...
No underlying meaning. The slow version lulls my second grandchild to sleep. A beautiful song indeed. But maybe it's not a song for children? "Work all night on a drink of rum..." But the version by Wiggles group from Australia dismisses it all.
Image: From Andy Lim's Kitchen.
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Rainbow Connection - Kermit The Frog. Songs For Everyone During Singapore's National Day

Friday, August 7, 2009

SONGS I LOVE:
Why discuss a song that didn't come from the 60s? The Rainbow Connection actually came earlier and was recorded by The Carpenters in 1975 (still within our range of discussion) but they never released it.
The lyrics was by Paul Williams, a 60s songwriter, composer and actor who wrote many top hits in the early 70s that included, Just An Old Fashioned Love Song, We've Only Just Begun, Rainy Days And Mondays, Evergreen (Oscar - 1976) and songs for Three Dog Night. Kenneth Ascher, who worked with Barbra Striesland, Yoko Ono and John Lennon, composed the music,
The Rainbow Connection has been covered by more than a dozen top artistes including Willie Nelson and Kenny Loggins, both 60s musicians. It is included in the American Film Institute list of the 100 best songs of all time.
In Singapore, it is popular with adults but the young ones seem to love the lazy feel and ease of the song. The lyrics could be a challenge and interpretation varies; that it reminds readers of the Iliad, the Odyssey to Ulysses and personal discoveries. But like the lyrics suggested, could these connections be visions, illusions, magic? For lovers and dreamers? What is the rainbow connection? I am not sure but it is a lovely song though.
Reference: Wikipedia.
Image: heidthebaw.wordpress.com
Article: Andy Lim

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Muppet Show - Children's Music Song & Dance

One of the most successful shows that is still being watched by millions on television around the world today is The Muppet Show. Also called, Sesame Street it uses a mixture of animation, puppets, and live actors to stimulate the young minds that watch the show.
In Singapore it is no different as the show became a hit with both children and adults. It is well known for its Muppet characters created by Jim Henson. It premiered on November 10, 1969 in the US, and is the longest running children's program.
Up until the late 60s, the use of television as an educational tool in the US was not confirmed so in 1966, a research was done to show how TV could be used to help children, especially those from the low-income groups. The point was, "if you can hold the attention of children, you can educate them." The show was a hit because of its "strong visual style, fast-moving action, humour, and music."
Sesame Street made a great impact in Singapore in the 70s with the TV audiences all over the island watching it because music is one of its attractions.
One song, that is utmost in everyone's mind and which created a stir when people heard it for the first time is, The Rainbow Connection by Kermit the Frog.
Information, edited: Wikipedia.
Image: muppet.wikia.com/wiki/The Muppet Show
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Elvis Presley 60s Pop Music For Young Children

Thursday, August 6, 2009

It is always a joy to introduce music to very young children. Even pop music, especially from the 60s genre, if correctly selected, could prove fun and stimulating for the little ones.
Personally, grandson Joshie at 3 years old, sings a selection of 60s music with ease and pride, when he goes into his own rendition of, Fireball XL5, *Obladi Oblada, Wooden Heart (image), Big Boots, *My Bonnie, *Diana, Beautiful Sunday and The Chipmunks' Christmas Song. He sings them, he hums them and even shakes a leg to these melodies, just like a professional.
However, he learnt his simpler pieces and started off with Twinkle,Twinkle Little Star, I Hear Thunder, Ticky Ticky Tick (Frankie Laine) and Little One (Russ Hamilton) way before the real pops. He was only only one and a half then.
*Take heart with some lyrics from these songs.
Image: Elvis/Juliet Prowse/GI Blues. From: Elvis Movie Database.
Original article: Andy Lim
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Danny Kaye Wonderful Copenhagen 50s Music

Thursday, July 9, 2009

The happiest memories in the life of a child of the 50s would have been the experience of going to a movie with his/her parents and enjoying the grandeur of the cinema, housed in a very large hall with long ceiling fans, hanging and twirling above, throughout the show.
Pulling mother's hand, the trip to the small Queen's Cinema at Geylang was a thrill as the screen unfolded to reveal, Hans Christian Andersen, the movie.
Today it's taken for granted, as children of all ages can just view movies at home from the TV, DVD, UTube or in the glamorous movie theatres in air-conditioned comfort.
Personally, one of the greatest movie stars in the 50s was a man who could do almost anything. He was a dancer, a singer, an actor, a great comedian but most of all he was loved by the younger audiences all over the world when they watched him in action on the 'silver screen'.
He starred in many movies but Hans Christian Andersen, released in 1952, was one of the best loved. Ah yes, the early 50s, way, way back when movies were movies and songs were songs. Find out more if the reader wishes, from the websites about Hans Christian Andersen and the man who played this wonderful story teller from Northern Europe. There are nearly one million hits on the net if the name DANNY KAYE is keyed in.
This particular movie was one of the earlier musicals to hit the cinemas in Singapore and like many of his movies, Danny Kaye displayed his numerous talents and skills as a showman. Some of the best children's songs come from this movie, Wonderful Copenhagen, Thumbelina, The Ugly Duckling and I'm Hans Christian Andersen. So if you are a parent check Mr. Kaye out on UTube.
This posting is dedicated to my grandson Joshie, who learnt many songs as a 2 year old. His first songs were Russ Hamilton's, Little One and of course, Anderson's Thumbelina and Frankie Laine's Mr Froggie Went To Town.
Original article: Andy Lim Collection
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British 60s Pop Influence With Russ Hamilton

Saturday, May 9, 2009

Russ Hamilton was a superstar in Singapore 60s. His songs were so dear to the hearts of many Singaporeans that his records sold out within days.

In the UK, it was "We Will Make Love" that caught record buyers attention, whereas in the USA, it was the flip, "Rainbow". Imagine a single reaching the top 10 in the UK while its other side made waves across the waters. "Rainbow" reached Number 4 in the US**.

He received his Golden Disc for a million copies sold, very soon after its release on Friday, October 4th, 1957. In Singapore, many of his songs he released reached the Hit Parade Charts and "WWML" stayed on for some time.

Russ Hamilton composed his own songs, and one was written for his girl. "Wedding Ring" managed the top 20 but was "insufficient to consolidate his position as a major pop star."

His fortunes with his hit songs faded after a while and were not on the airwaves in recent years. Apparently not not only were the songs "unfashionable in style, but the meaning of the lyrics had suffered from the changes in word usage."

Singapore youths today may find his songs 'mushy'. Seniors though, are still playing the beautiful ballads with the lilt, soft and quiet that only Russ Hamilton could deliver. All his songs are classics now, all. Some of them are, "*My Mother's Eyes," "I Had A Dream", "*Little One" and "I Still Belong To You". Russ Hamilton was backed by Johnny Gregory & His Orchestra. Golden oldies for that relaxing evening.

(When my grandson Joshua was only 2 years old, he recognised many nursery rhymes that I used to sing before his afternoon naps. But he knows his pop songs better and learnt "Little One" before others. Meaningful lyrics and soothing music make this one of the best songs for little children. Try it out because Joshua is asleep within 10 minutes.)

* Children songs.

**Cliff Richard never achieved this kind of hit status in the United States. In 1960, he toured with The Shadows in the U.S. and were well-received; however, lacklustre support and distribution from the record company proved costly, and the chance was lost.

(Extracts from: 45rpm.org.uk, Wikipedia and Oriole Record cover EP - 7005 literature/image.)

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