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Showing posts with label musicals. Show all posts
Showing posts with label musicals. Show all posts

Dwarfs, POWs, Gunslinger, Teacher And Panther? Songs That We Don't Sing In The 60s

Saturday, December 11, 2010

Whistle While You Work:
I remember watching Disney cartoons when I was very young and loved Snow White (1937) with her seven dwarfs. One particular song, Whistle While You Work, enchanted me so much that I easily learnt the skill because I wanted to whistle the tune so badly. Music from the past has many of these whistling tunes. This posting is about some of them.
Coloney Bogey March:
Another one that became a whistling hit was the Colonel Bogey March written in 1914. Although not many people remember the title, they knew how to whistle, "that River Kwai song." The song was a powerful one because of its repetitive, simple melody and because it was from the soundtrack of the blockbuster, The Bridge On The River Kwai.
Prisoners of War:
The tune was played when the POWs marched towards the prison camp and is not to be mistaken with the orchestral counter-march composed in 1957 by Malcolm Arnold. Both marches had been recorded together by Mitch Miller and his Orchestra as March from the River Kwai - Colonel Bogey.
The Good, The Bad And The Ugly:
In 1966, Singapore film goers went wild with a spaghetti western called, The Good, The Bad And The Ugly and the main theme, composed by Ennio Morricoe, echoed for months everywhere.
Clint Eastwood:
Hugo Motenegro had a version using the Moog synthesizer that went up to number two on the Billboard Pop Single Chart in 1968. And gunslinger Clint Eastwood (image) clinched it again. It was so popular that it had been covered by our local group, The Stylers.
I Whistle A Happy Tune:
The very pretty Julie Andrews (in later years to become *Blake Edwards' wife) appeared in a movie that fascinated both young and old. The King And I (1956) showed for weeks at the Cathay Cinema in the 50s and a song that kept everyone bright and cheerful was, I Whistle A Happy Tune.
The King And I:
In the movie, it was performed on board a ship when teacher Andrews was on her way to meet Yul Brynner the King. To ease her son's fear and tension, she sang and whistled the song. It became a hit with other songs in the show.
The Pink Panther Theme:
The Henry Mancini Pink Panther Theme (1963) is an instrumental composition that whistled its way to a nomination at the Academy Award for Original Music Score in 1964. It won three awards.
Inspector Clouseau:
The movie about the pink cartoon character was animated in time to the tune. It became successful commercially and made bungling Inspector Clouseau (Peter Sellers), a character in the Pink Panther series. It was directed by special Oscar winner *Blake Edwards. *(A few days after this posting Blake Edwards passed away, with wife Julie Andrews by his side.)
Roger Whittaker:
There are many whistling tunes? Do you know one that you like? Have you heard of Roger Whittaker? He whistles most of his songs like Mexican Whistler, Pretty Bird, River Lady and classics like The Elizabethan Serenade. But that's another story...
Image:
Original article: Andy Lim.
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Chuckle With 'glee' - 60s Music Revived On TV. Have You Seen It Yet? Best Show In Town

Wednesday, March 24, 2010

THIS ARTICLE IS BLOGGER'S PERSONAL VIEWPOINT OF "GLEE". IT DOES NOT ADVERTISE THE SHOW.
60s music fans are in for a treat. For many weeks now there's a new television show that plays pop hits of yesteryears. Yes, in the latest episode 'Ballad', the Fox Broadcasting Company production 'glee' on Singapore cable TV features, Bill Withers' Lean On Me, The Pretenders' I'll Stand By You and the Lionel Ritchie & Diana Ross classic, Endless Love.
Then the big treat came when, Young Girl (original performers Gary Puckett and The Union Gap) were featured with (You're) Having My Baby by Paul Anka. It was a thrill to watch these songs revived, energised and sung by the best of today's youthful talents from the cast of glee.
Other songs from the 60s music category featured in other episodes were, Dione Warwick's I Say A Little Prayer, the West Side Story evergreen, Tonight, Queen's Somebody To Love and The Supremes' You Keep Me Hanging On.
The best was yet to come when Neil Diamond's Sweet Caroline, the My Fair Lady hit, I Could Have Danced All Night and Tina Turner's Proud Mary were performed by the very talented group.
So 60s music fanatics, look out for future episodes when this truly versatile group of boys and girls will sing and dance their way through TVs new musical extravaganza with, Papa Don't Preach, True Colours (both 1986), Imagine, Don't Rain On My Parade, and selections from Hair.
And the theme song that runs through the whole episode? Don't Stop Believin'. I won't!
Have you seen it yet?
Image: google images
Original article: Andy Lim Collection
Checkout GLEE website: http://www.fox.com/glee/
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'The Who', 'Tommy' And Rock Operas - 70s

Thursday, February 25, 2010

It was reported in the news media, Pete Townshend may have to quit the legendary band if his hearing gets worse.
Yes, the news item started me thinking about The Who, the rock group that sends the adrenalin pumping and ears exploding when I spin the turntable to play their hits. And Roger Daltrey and Pete Townshend are no ordinary musicians, with the group literally bringing the stage to a 'destructive' end with their music and instruments.
"This fantastic group has sold about 100 million records and have charted 27 top forty singles in the United Kingdom and United States with 17 top ten albums, including 18 Gold, 12 Platinum and 5 Multi-Platinum album awards in the United States alone (Wikipedia)."
Frankly I got to know The Who a little bit after my acquaintance with Deep Purple's music and heard them only when they covered Johnny Kidd and the Pirates' Shakin' All Over in their Live At Leeds album in 1970. Not too late as I was a bit more matured to appreciate the music.
Of course there was also the rock opera Tommy that came in 1969 and others in the genre like Godspell, Hair, (with protest songs) and Jesus Christ Superstar (saw the stage musical in Australia, in November 1973). Pinball Wizard, Good Morning Starshine, Aquarius, I Don't Know How To Love Him, Prepare Ye The Way Of The Lord, *Day By Day are some of the songs that not only entertained but excited listeners.
Any rockers out there? Have you ever seen their shows live? Overseas?
*Covered by The Blackjacks, Singapore 60s band.
Original article: Andy Lim Collection
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(4) Who Wears Short Shorts... At A Wake???

Monday, January 18, 2010

WHO WEARS SHORT SHORTS AND SHORT BLOUSES?

"Photo 2: Alfred Choo, the future international lounge pianist is at the keyboard. **Didn’t know the girls were already in hot pants back in the early 1960s. Back then we boys were curious whether the girls wore anything below that short chinese blouse.
The stage was the former Cultural Centre Center at Fort Canning, now demolished and replaced by the one presently at the rear of the National Museum (circa 1962).
Funny thing though, my late grandmother was roped in to cut and sew the costumes. Where’s the connection? She came from Toi Shan County, China to marry my grandfather in the 1910s.
Lucky for us, she brought with her to Singapore plenty of chinese culture; she knew everything about the clothes and style of yesteryears, intricate Chinese buttons, pretty samfoo and unique pig-tails. She also knew the feminine art of using a hand fan. If you look at the photos, you find the boys and girls dressed up in various Chinese outfits.
Alfred Choo, the senior student of Foorman’s was the Music Director. Choo later became a top-notch hotel pianist in Hong Kong’s Peninsular Hotel and at the Marco Polo Hotel in Singapore."
Original article/image: Peter Chan.
Note from Blogger: They were wearing hot pants since the 50s, Peter!
**Short Shorts (1958) by The Royal Teens [Spoken:] Ooh man, dig that crazy chick/Who wears short shorts/We wear short shorts/They're such short shorts/We like short shorts/Who wears short shorts/We wear short shorts. [Repeat 2x]
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(3) "Flower Drum Song" - Musical At Fort Canning Drama Centre Singapore In 1962

Sunday, January 17, 2010

FLOWER DRUM SONG IN SINGAPORE:
"Photo 1: When I look at this 1962 photograph, the first thing that strikes me are the stage props. Don’t they remind you of those seen at a Chinese wake? Or do they look more like the 1950 anti- government street demonstration with all those banners?
Remember the musicals I was discussing in the previous posting? Well this time I am not in the audience but as a performer. And in one of the biggest and most popular musicals in the 60s, Flower Drum Song. How did it happen? It was in 1962 when Foorman’s School of Music - the place I attended my piano lessons - gave a public concert at the former Fort Canning Cultural Center, Singapore.
Flower Drum Song is a musical comedy set in San Francisco's Chinatown concerning old-fashioned Chinese and modern Chinese-Americans clashing over tradition and trying to find romance. That’s all I knew except for the big names like the darling Nancy Kwan and handsome James Shigata. The concert finale was set to the music of Grant Avenue, one of many songs taken from the musical."
Article/Image: Peter Chan Collection.
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(2) Experiencing London's 60s Musical "Oliver!"

Saturday, January 16, 2010

MUSICALS AND PETER CHAN:

"I do say I don’t enjoy or know very much about stage plays or musicals until I was in one myself (Flower Drum Song). My introduction to the theaters was when a friend got me some free tickets to watch his son perform in Oliver! at the London Palladium (image). Soon, I learnt there was a way to buy more economical tickets if you bought on the afternoons just one or two days before the actual performance.
I must admit I thoroughly enjoyed the performance and in the next few weeks, while on a business trip in London, my family sat through Jesus Christ Superstar, Miss Saigon, Les Miserables, Martin Guerre, and Phantom of the Opera, well before they hit Singapore shores."
Image: from e-bay.
(Original Article: was contributed by Peter Chan who was a Singapore 70s pop musician but now a successful business person.)
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(1) Flower Drum Song, Asian-American Musical



****************************************************************************************************************************** INTRODUCING FLOWER DRUM SONG:
After World War II, Americans began to show an interest in the "mysterious East" and Rodgers and Hammerstein, with all their positivity, had explored this interest in South Pacific and The King and I. Both musicals were hits in the late 50s and early 60s in Singapore. But they had never been staged in the local theatres, or had they?
Flower Drum Song is another musical with an Asian theme that was popular in Singapore in the 60s. It is a 1961 Academy Award-nominated film adaptation of the 1958 Broadway musical play Flower Drum Song, written by the composer Richard Rodgers and the lyricist/librettist Oscar Hammerstein II. The film and stage play were based on the 1957 novel by the Chinese American author C.Y. Lee.
This movie featured a mostly Asian-American cast with members that included dancers, though two of the singing voices were not by Asians. Starring in this movie were Nancy Kwan (images), James Shigeta, Benson Fong, James Hong, Reiko Sato and the original Broadway cast members Jack Soo, Miyoshi Umeki (Movie: Sayonara) and Juanita Hall.
It drew large crowds at the Singapore cinemas when it was shown in the 60s, while sexy and vivacious Nancy Kwan became a household name. The songs from the movie, on the other hand, were not so popular in Singapore but, I Enjoy Being a Girl performed by Nancy Kwan and voice dubbed in by B.J. Baker and A Hundred Million Miracles performed by Miyoshi Umeki and cast members, had a good following locally.
Information on musicals: Wikipedia.
Original article: Andy Lim Collection
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Broadway Musicals - 60s Music Influence

Sunday, May 17, 2009

For further information on Broadway musicals, the above book (image) is a must-read, as it provides much information on most of the musicals that have appeared on New York's famous stages.
From, "Annie" to "Zorba," they come in large, colourful and bright images with sufficient data for the enthusiast.Written by Ken Bloom and Frank Vlastnik, both well-respected writers on musical productions, this particular 2004 edition is available in our libraries [782.14097471 BLO (ART)].
The book though, is mostly on musical theatre and not on musical films, but there is a complete song-list for each production featured.(Image: Amazon.com)Original article: Andy Lim
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Sound Of Music - Julie Andrews - Do Re Mi

Saturday, May 16, 2009

This 1965 musical, with Julie Andrews/Christopher Plummer, needs no introduction. The 8-year-old knows the tunes of almost all the songs that the 80 year hums with the grandchild. "The Sound Of Music" (image) came right after the success of numerous other musicals that invaded Singapore in the 50s and 60s.
Besides the 2 musicals posted, "Kismet" (Stranger In Paradise), "West Side Story" (Maria), "Oklahoma" (Oh What A Beautiful Morning), "Fiddler On The Roof" (Sunrise, Sunset) and "South Pacific" (Bali Ha'i) were only a few musicals that burst on the scene during Singapore's youth. These images came way before "Cats", "Phantom," and "Miss Saigon," flirted with our population.
There is no need to list the songs from TSOM because anyone who knows 60s music, knows them. Remember the 5 year old? He or she could have learnt "Do Re Mi," one of twelve songs in the musical, before the other hits. "Edelweiss," is another pop classic. This musical, ironically, became popular on Broadway only after the film version was embraced by the public in the U.S.
The Quests recorded a 45 vinyl single of "Sound Of Music" (Rodgers/Hammerstein's title song, EMI/Columbia: DO 4638) with Reggie Verghese, "Love Has Gone," on the flip. What about other groups? Have they recorded musicals?
Image: Sound Of Music website
Original article: Andy Lim
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My Fair Lady - Audrey Hepburn - Li'l Bi' Er Lah

Another movie musical that hit the big time in Singapore was in the mid-60s when "My Fair Lady" (1964) was shown at the Lido at Orchard Road. Thousands flocked to the cinema to enjoy the film with songs that became household tunes. "Getting To The Church On Time," "The Rain In Spain," "I Should Have Danced All Night," and "On The Street Where You Live".

Audiences who were familiar with the plot, knew it came from George Bernard Shaw's play, "Pygmalion," and with Rex Harrison's version of, "Why Can't The English?" had local fans rollicking on the floor. Of course Singaporeans in the 60s remembered the red-nosed cockney swagger, "Wih a l'il bi er luck".
With this invasion of a musical by Lerner & Loewe and Audrey Hepburn as the icon, the American cast with the British posh made the movie another memorable, watchable event. Such melodies became templates in the minds of our local musicians and another side of Singapore 60s music was established.
Original article: Andy Lim

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King & I - 60s Music - Precisely My Cup Of Tea

No music blog is complete without discussing musicals, especially the ones that have been made into movies. In Singapore in the 60s, there was hardly any theatre or stage to accomodate musicals from Broadway in New York or the West End in London.
Audiences in Singapore depended on movie musicals imported from the United States of America. Some of these were so popular that they could run for weeks in the larger cinemas in town like the Odeon or Capitol at North Bridge Road. The Cathay too had its selection of musicals.
One of the most popular was "The King And I", produced in 1956, which starred Yul Brynner and Deborah Kerr (image). Many Singaporeans may remember the songs that became hits on the radio. The ones usually aired were, "Shall We Dance", I Whistle A Happy Tune," the hauntingly beautiful, "Hullo Young Lovers," and the singalong, "Getting To Know You."
The record shops along North Bridge Road sold out their Rodgers and Hammerstein's Long Play vinyls very quickly and the nightclubs and cabarets played the melodies from this musical.
Original article: Andy Lim
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Bill Haley's Comets And Black Market Tickets

Monday, February 9, 2009


A poster, 'Rock Around The Clock' (1956), like the above was the talk of the town in the late 50s in Singapore when the rock and roll explosion hit the country louder than Chinese New Year firecrackers. The Roxy Cinema was filled to the brim when the movie invaded the theatre near the beaches at the East Coast.
When patrons wanted to buy tickets for shows like these, the queue circled round the Roxy building like a snake would round the victim's body. Black market tickets sold for as much as 100% more i.e: a 50 Cents front-seat ticket would cost $1.00 as tough, unruly boys filled the queue much earlier before a show to buy and control tickets.
Seats were cheap then and the cinema hall was divided into four sections i.e: the first 5 rows from the screen cost 50 Cents while the rest were priced from $1.00, $2.00 and $3.00 depending how far away from the screen the seat was. The circle (upstairs, back rows) was priced at $3.00.
Such was the impact when this music phenomenon rocked Singapore as Bill Haley, the Comets, the Platters and others came to town. Rock and roll took its roots way before Cliff Richard and Rolling Stones.
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